"What A Wonderful World" by Mark Sherman had its release date on 1997. This song is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Spiral Staircase". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. What A Wonderful World is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With What A Wonderful World by Mark Sherman having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Moons Ago | Dominik Schürmann trio, Max Ionata | G Major | 0 | 9B | 78 BPM | ||
| Why Did I Choose You | Houston Person | B♭ Major | 1 | 6B | 178 BPM | ||
| Coral | More than Jazz | D Major | 1 | 10B | 102 BPM | ||
| Blue Note Balladry | The Belleville Band | E♭ Major | 1 | 5B | 94 BPM | ||
| The End and The Beginning | Edward Simon, Scott Colley, Brian Blade | D Major | 0 | 10B | 95 BPM | ||
| Voyageur | Flash Pig | D♭ Major | 2 | 3B | 98 BPM | ||
| The Night We Called It A Day | Odo Lefebvre | D♭ Major | 2 | 3B | 102 BPM | ||
| Mindful in Solitude | Ryder Quartet | C Minor | 0 | 5A | 64 BPM | ||
| Not to Worry | Tim Hegarty, Mark Sherman, Kenny Barron, Rufus Reid, Carl Allen | D Minor | 5 | 7A | 127 BPM | ||
| When we danced | Annie Berenson | C Major | 3 | 8B | 121 BPM | ||
| Butterfly Princess | Midnight Sound Band | C Minor | 2 | 5A | 92 BPM | ||
| Every Time We Say Goodbye | Laura Perlman, Mark Sherman, Bill Cunliffe | E♭ Minor | 3 | 2A | 94 BPM | ||
| The Question Is | Mark Sherman, Kenny Barron | E♭ Minor | 1 | 2A | 112 BPM | ||
| The ballad of sad young men | The Collective | E Minor | 1 | 9A | 116 BPM | ||
| Balanced | Jan Harbeck Quartet | C Minor | 1 | 5A | 83 BPM | ||
| The Great Triplet | Eddie Mendenhall, John Schifflett, Mark Sherman, Akira Tana | D Minor | 4 | 7A | 123 BPM | ||
| Ineffable | Tim Hegarty, Mark Sherman, Kenny Barron, Rufus Reid, Carl Allen | C Minor | 2 | 5A | 95 BPM | ||
| War - Binaural | Jamey Haddad, Mark Sherman, Lenny White | D♭ Major | 5 | 3B | 95 BPM | ||
| New Shoes | 6th Street Jazz | A Major | 5 | 11B | 151 BPM | ||
| Vine Street | Soft Brush Touches | G Major | 2 | 9B | 112 BPM | ||
| Bitterly | Chris Memento | G Major | 2 | 9B | 106 BPM | ||
| Where Do We Go From Here | Benjamin Lackner, Mathias Eick, Jérôme Regard, Manu Katché | E♭ Minor | 2 | 2A | 130 BPM | ||
| A Blacksmith's Tale | Eyolf Dale, Audun Kleive, Per Zanussi | B Major | 1 | 1B | 107 BPM | ||
| Reflections in D | Larry Goldings, Peter Bernstein, Bill Stewart | E♭ Major | 1 | 5B | 131 BPM | ||
| Hometown Again | Gottfried Barber Trio | B Major | 0 | 1B | 116 BPM |