- BPM
- 119
- Key
- G Major
- Camelot
- 9B
POMP AND CIRCUMSTANCE MARCHES OP.39 NO.4 IN G MAJOR by 101 Strings Orchestra Song Details
101 Strings Orchestra's 'POMP AND CIRCUMSTANCE MARCHES OP.39 NO.4 IN G MAJOR' had a release date set for May 27, 2008. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 14 in CLASSICAL ROMANCE VOL.7 / CLASSICAL MASTERPIECE by 101 Strings Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. In terms of popularity, POMP AND CIRCUMSTANCE MARCHES OP.39 NO.4 IN G MAJOR is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of POMP AND CIRCUMSTANCE MARCHES OP.39 NO.4 IN G MAJOR by 101 Strings Orchestra is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
Music Key
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -17.139 dB
- Acousticness
- 83%
- Danceability
- 32%
- Energy
- 34%
- Instrumentalness
- 93%
- Liveness
- 23%
- Loudness
- 71%
- Speechiness
- 5%
- Valence
- 27%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Bizet: Carmen: Prelude - Act One | Georges Bizet, Orchestra of the Royal Opera House, Covent Garden | A Minor | 3 | 8A | 118 BPM | |
 | Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | |
 | Symphony No. 15 in A Minor, Op. 141: I. Allegretto | Dmitri Shostakovich, Kirill Kondrashin, Moscow Philharmonic Orchestra | E Minor | 3 | 9A | 148 BPM | |
 | Beria's Plan | Christopher Willis | F♯ Major | 1 | 2B | 100 BPM | |
 | Funeral of Queen Mary (Main Title from "A Clockwork Orange") | Hollywood Symphony Orchestra | C Minor | 2 | 5A | 137 BPM | |
 | The Dambusters: March: 'The Dam Busters' | Eric Coates, Slovak Radio Symphony Orchestra | C Major | 1 | 8B | 148 BPM | |
| First on the Scene | Christopher Willis | G Major | 1 | 9B | 124 BPM | |
 | Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March | Henry Purcell, John Eliot Gardiner, Equale Brass Ensemble, Monteverdi Orchestra | C Minor | 0 | 5A | 82 BPM | |
 | 5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | |
 | Adagio For Strings | The Regency House Orchestra | G Major | 3 | 9B | 93 BPM | |
 | Burial Service: March, Z. 860A | Henry Purcell, Oxford Camerata, Laurence Cummings, Jeremy Summerly | C Minor | 0 | 5A | 85 BPM | |
 | Pictures at an Exhibition (Orch. Ravel): IV. Bydlo | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A Major | 1 | 11B | 90 BPM | |
 | Polymorphia | Krzysztof Penderecki, Warsaw Philharmonic Orchestra, Antoni Wit | F Minor | 3 | 4A | 86 BPM | |
 | Titoli Di Testa / Viaggio A Donnafugata | Nino Rota | A♭ Major | 3 | 4B | 79 BPM | |
 | Lara's Theme (From "Doctor Zhivago") | 101 Strings Orchestra | A♭ Major | 3 | 4B | 174 BPM | |
 | Pruit Igoe | Philip Glass | F Major | 2 | 7B | 120 BPM | |
 | Mozart: Piano Concerto No. 20 in D Minor, K. 466: II. Romance | Wolfgang Amadeus Mozart, Evgeny Kissin, Kremerata Baltica | B♭ Major | 1 | 6B | 81 BPM | |
 | Don Giovanni, Act Il, Commendatore Scene | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields, Ambrosian Opera Chorus, John McCarthy, John Tomlinson, Richard Stilwell, Willard White | A Major | 3 | 11B | 81 BPM | |
 | My Own Lover | Ria Mbanefo | B♭ Major | 3 | 6B | 83 BPM | |
 | Prince Igor (Knyaz Igor): Overture | Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | G Minor | 1 | 6A | 73 BPM | |
 | Andante No 2 - The Nun's Hymn | Louis James Alfred Lefébure-Wély, William McVicker | F Major | 0 | 7B | 73 BPM | |
 | Concerto in C Major for Mandolin, Strings and Harpsichord, P. 134: I. Allegro | Antonio Vivaldi, Sol Goichberg, Max Goberman, English Chamber Orchestra, Raymond Leppard | C Major | 4 | 8B | 171 BPM | |
 | Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244/2 | Franz Liszt, Vladimir Horowitz | D♭ Major | 3 | 3B | 80 BPM | |
 | Young at Heart (From "Young at Heart") | 101 Strings Orchestra | F Major | 2 | 7B | 131 BPM | |
 | Romeo and Juliet, Op. 64, Act I: No. 13, Dance of the Knights | Sergei Prokofiev, Orchestre Symphonique de Montréal, Charles Dutoit | A Minor | 1 | 8A | 95 BPM |
- ISRC
- CAM460770207
- Label
- L-M Records/RCA Records