Jesper Kyd's 'The Eternal Throne' had a release date set for January 1, 2012. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 12 in Darksiders II: Original Soundtrack by Jesper Kyd. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, The Eternal Throne's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of The Eternal Throne by Jesper Kyd is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Approach | Frank Klepacki | D♭ Major | 2 | 3B | 87 BPM | ||
| The Answer Is Yours | Mikhail Kotov | B♭ Major | 7 | 6B | 85 BPM | ||
| Chitinous Swarm | Steve Molitz | C Minor | 4 | 5A | 77 BPM | ||
| LIMB Clinic | Michael McCann | A♭ Major | 1 | 4B | 83 BPM | ||
| Immortal Machine | Guillaume David | E Minor | 5 | 9A | 120 BPM | ||
| Jungle Totem | Robyn Miller | A♭ Major | 1 | 4B | 72 BPM | ||
| Through The Underworld | Krzysztof Wierzynkiewicz | C Minor | 2 | 5A | 100 BPM | ||
| Konrad's Hold - Arrival | Finishing Move Inc. | G Major | 7 | 9B | 95 BPM | ||
| Xeno Presence | Doyle W. Donehoo | D♭ Major | 3 | 3B | 94 BPM | ||
| Undercroft | Ola Strandh | D♭ Major | 6 | 3B | 174 BPM | ||
| Gehn's Theme | Robyn Miller | G Minor | 1 | 6A | 80 BPM | ||
| Frameshift & Starports: Imperial Starport | Erasmus Talbot | D Minor | 3 | 7A | 98 BPM | ||
| Millennial Rage | Guillaume David | D Major | 5 | 10B | 145 BPM | ||
| Trouble in Vegas | Jesper Kyd | D♭ Minor | 9 | 12A | 118 BPM | ||
| The Lush Planet (Ambient Early) | Griffin Cohen | E♭ Major | 3 | 5B | 136 BPM | ||
| After the Crash | Michael McCann | A Major | 7 | 11B | 120 BPM | ||
| The Blood Ravens | Cris Velasco, Sascha Dikiciyan | A Major | 9 | 11B | 96 BPM | ||
| Resonation | Jeff van Dyck | D Major | 1 | 10B | 72 BPM | ||
| When Two Sides Go to War | Stephen Barton | A Minor | 4 | 8A | 85 BPM | ||
| The Undead | Paradox Interactive | E Minor | 2 | 9A | 113 BPM | ||
| Lynchwood Sheriff Combat | Cris Velasco, Sascha Dikiciyan | B♭ Major | 9 | 6B | 140 BPM | ||
| Battlements | Cris Velasco, Sascha Dikiciyan | G Minor | 5 | 6A | 104 BPM | ||
| TransX | Arnaud Roy | F Minor | 2 | 4A | 172 BPM | ||
| Across The Void | Guillaume David | F Minor | 5 | 4A | 73 BPM | ||
| Everybody Lies | Michael McCann | G Major | 7 | 9B | 110 BPM |