Public Service Broadcasting's 'Fire in the Cockpit' had a release date set for February 23, 2015. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 9 in the song's album "The Race for Space". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Fire in the Cockpit's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fire in the Cockpit by Public Service Broadcasting having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Window Seat | Portico Quartet | A♭ Minor | 3 | 1A | 198 BPM | ||
| ii | CHVRCHES | C Minor | 2 | 5A | 131 BPM | ||
| Super Zodiac | The Comet Is Coming | G Major | 9 | 9B | 124 BPM | ||
| Water Treatment Works | Warrington-Runcorn New Town Development Plan | D♭ Major | 3 | 3B | 114 BPM | ||
| Lichtspiel III: Symphonie Diagonale | Public Service Broadcasting | B♭ Major | 1 | 6B | 76 BPM | ||
| The Beginning | Magic Sword | D♭ Major | 7 | 3B | 118 BPM | ||
| Stalker | Fuck Buttons | F Major | 8 | 7B | 102 BPM | ||
| XII. Orlando: Persistence Of Images | Max Richter, Deutsches Filmorchester Babelsberg, Robert Ziegler | C Minor | 5 | 5A | 120 BPM | ||
| Let Us Build A City - Bonus Track | The Chemical Brothers | D Major | 9 | 10B | 96 BPM | ||
| Every Valley | Public Service Broadcasting | C Major | 5 | 8B | 124 BPM | ||
| GET UP | Young Fathers | F Minor | 10 | 4A | 164 BPM | ||
| Deipkier | Craven Faults | D Major | 3 | 10B | 160 BPM | ||
| A Pile of Dust | Jóhann Jóhannsson, Air Lyndhurst String Orchestra, Anthony Weeden | A♭ Major | 1 | 4B | 81 BPM | ||
| Perpetual Dawn | The Orb | B Minor | 8 | 10A | 103 BPM | ||
| Sillocks | Erland Cooper | C Major | 1 | 8B | 133 BPM | ||
| Evolve or Perish | Nordic Giants | B♭ Major | 8 | 6B | 100 BPM | ||
| Two Weeks & Counting... | Clint Mansell | B Minor | 4 | 10A | 64 BPM | ||
| Surface | King Creosote | D Major | 7 | 10B | 124 BPM | ||
| Prelude To Shona | Jake Chudnow | G Major | 3 | 9B | 113 BPM | ||
| Indie Rose | Overhead, The Albatross | D♭ Major | 4 | 3B | 100 BPM | ||
| Royksopp's Night Out | Röyksopp | D♭ Major | 3 | 3B | 133 BPM | ||
| Diagram Girl | Beyond The Wizards Sleeve, Hannah Peel | A Major | 8 | 11B | 101 BPM | ||
| Battles | Columbia Mills | D Major | 4 | 10B | 120 BPM | ||
| The Take Off and Landing of Everything | Elbow | D Major | 8 | 10B | 136 BPM | ||
| Weightless Memories | Ulrich Schnauss, Jonas Munk | D Major | 7 | 10B | 174 BPM |