John Williams, Boston Pops Orchestra's 'Swing, Swing, Swing' had a release date set for 1985. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Swing, Swing, Swing". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Swing, Swing, Swing is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Swing, Swing, Swing by John Williams, Boston Pops Orchestra having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Excerpts - From "Close Encounters of the Third Kind" | John Williams, Wiener Philharmoniker | E Major | 2 | 12B | 79 BPM | ||
| Illumination | David Maslanka, Utah Wind Symphony, Scott Hagen | D♭ Major | 2 | 3B | 87 BPM | ||
| Out of the Doghouse | Alfred Jazz Ensemble | A♭ Major | 7 | 4B | 160 BPM | ||
| Tico-Tico | Milan Rericha, Marc Reift Orchestra | G Major | 8 | 9B | 127 BPM | ||
| Everybody Loves My Baby | Vince Giordano And The Nighthawks | G Major | 5 | 9B | 98 BPM | ||
| Appalachian Morning | Paul Halley, John Williams, Boston Pops Orchestra | F Minor | 1 | 4A | 110 BPM | ||
| Come Sunday: II. Shout! | Omar Thomas, United States Marine Band, Ryan Nowlin | C Minor | 6 | 5A | 139 BPM | ||
| The Circus Bee | US Air Force Academy Band | D♭ Major | 5 | 3B | 80 BPM | ||
| Big Band Pickle | John Rowcroft, London Studio Big Band | C Major | 5 | 8B | 110 BPM | ||
| John Brown's Other Body | The Royal Air Force Squadronaires | A♭ Major | 6 | 4B | 110 BPM | ||
| パーディド | BBCビッグバンド | G Minor | 3 | 6A | 202 BPM | ||
| The Star and Stripes Forever | US Air Force Concert Band, Ceremonial Brass & Singing Sergeants | A♭ Major | 5 | 4B | 116 BPM | ||
| The Defibrillator | Hoover High School First Edition Jazz Ensemble, Sallie Vines White | F Minor | 5 | 4A | 132 BPM | ||
| Melodious Thunk | David Biedenbender, North Texas Wind Symphony, Eugene Migliaro Corporon | F♯ Major | 3 | 2B | 100 BPM | ||
| I Dreamt I Dwelt In Harlem | Herb Miller Orchestra | A♭ Major | 2 | 4B | 173 BPM | ||
| Metroplex: 3 Postcards from Manhattan, Op. 110 | Alfred Concert Band | C Minor | 3 | 5A | 145 BPM | ||
| Raiders Of The Lost Ark - March and Love Theme | John Williams | F Major | 3 | 7B | 128 BPM | ||
| Diggin' the New Digs | Michael Giacchino | G Minor | 4 | 6A | 120 BPM | ||
| The March From "Stripes" | Elmer Bernstein | F Major | 6 | 7B | 112 BPM | ||
| Count G (Bonus Track) | Gordy Haab | G Minor | 4 | 6A | 105 BPM | ||
| Drama for Your Mama | Alfred Jazz Ensemble | G Minor | 6 | 6A | 128 BPM | ||
| Blue Shades | Frank Ticheli, North Texas Wind Symphony, Eugene Migliaro Corporon | C Minor | 2 | 5A | 82 BPM | ||
| Always Look on the Bright Side | The Royal Tank Regiment Cambrai Band | B♭ Major | 3 | 6B | 59 BPM | ||
| St. Louis Blues March | W.C. Handy, Boston Pops Orchestra, John Williams | F Major | 6 | 7B | 126 BPM | ||
| The Orient Express - From "Murder On The Orient Express" Soundtrack | Richard Rodney Bennett | G Major | 1 | 9B | 58 BPM |