On June 28, 2011, the song "Quantum Leap" was released by John Maus. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Quantum Leap's duration is considered a little bit shorter than the average duration of a typical track. This song is part of We Must Become the Pitiless Censors of Ourselves by John Maus. The song's track number on the album is #2 out of 11 tracks. Based on our statistics, Quantum Leap's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Quantum Leap by John Maus has a tempo of 153 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Quantum Leap being at 153 BPM, the half-time would be 76 BPM with a double-time of 306 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Abra | CC Dust | D♭ Minor | 7 | 12A | 180 BPM | ||
| Modern Wonder | Oppenheimer Analysis | B♭ Minor | 7 | 3A | 133 BPM | ||
| Svetlana | XEX | F Major | 3 | 7B | 136 BPM | ||
| It's Conditional | Black Marble | F♯ Major | 7 | 2B | 128 BPM | ||
| Twinkling Stars | Nine Circles | A♭ Major | 7 | 4B | 109 BPM | ||
| Game And Performance | Deux | A Minor | 5 | 8A | 149 BPM | ||
| Pressure | Martin Dupont | A♭ Major | 8 | 4B | 183 BPM | ||
| Far | The Soft Moon | A Minor | 10 | 8A | 90 BPM | ||
| Angélique | Xeno & Oaklander | D♭ Major | 7 | 3B | 150 BPM | ||
| Mirage Hall | Dirty Beaches | A♭ Minor | 9 | 1A | 116 BPM | ||
| On Our Honeymoon | The Wake | B♭ Minor | 6 | 3A | 171 BPM | ||
| Gray Wave City | Geneva Jacuzzi | A♭ Minor | 5 | 1A | 136 BPM | ||
| Inside Out | Martin Dupont | G Minor | 6 | 6A | 93 BPM | ||
| Slow Motion | Panda Bear | B Minor | 9 | 10A | 88 BPM | ||
| War Crimes (feat. John Maus) | Eyedress, John Maus | E Minor | 4 | 9A | 77 BPM | ||
| Dominic Christ | Suicide | C Major | 6 | 8B | 138 BPM | ||
| Lipstick | Ariel Pink | E♭ Minor | 8 | 2A | 135 BPM | ||
| Don't Be A Body | John Maus | A♭ Minor | 7 | 1A | 104 BPM | ||
| Sabine | EYE | A♭ Major | 7 | 4B | 134 BPM | ||
| The One Left | Tropic of Cancer | C Major | 7 | 8B | 121 BPM | ||
| Passive with Desire | Choir Boy | E Minor | 6 | 9A | 108 BPM | ||
| Strange Harvest | Tempers | F♯ Minor | 8 | 11A | 114 BPM | ||
| When It's Over | The Soft Moon | G Major | 8 | 9B | 105 BPM | ||
| Castles In The Grave | John Maus | G Minor | 8 | 6A | 155 BPM | ||
| She's Mine | Alex Cameron | F♯ Minor | 6 | 11A | 165 BPM |