Richard Rodgers, Joan Copeland, Jay Blackton's 'Two by Two: An Old Man' had a release date set for 1970. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Two by Two: An Old Man's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Two by Two (Original Broadway Cast Recording)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, Two by Two: An Old Man's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Two by Two: An Old Man by Richard Rodgers, Joan Copeland, Jay Blackton having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nimrod (From the Enigma Variations) | Edward Elgar | E♭ Major | 3 | 5B | 103 BPM | ||
| Nola | Liberace | F♯ Minor | 5 | 11A | 184 BPM | ||
| Walzer, Op. 307: Wiener Bonbons | Sinfonieorchester des Tschechischen Rundfunks, Otto Aebi | C Minor | 1 | 5A | 105 BPM | ||
| Can't Help Falling in Love | George David Weiss, Hugo Perreti, Luigi Creatore, André Rieu, Johann Strauss Orchestra | G Major | 3 | 9B | 171 BPM | ||
| Spanish Dance No. 5 | The Mantovani Orchestra | G Major | 4 | 9B | 103 BPM | ||
| Unchained - Unchained Melody | Alex North, Hollywood Bowl Orchestra, John Mauceri | A Major | 0 | 11B | 86 BPM | ||
| Kansas City | Richard Rodgers, Harry Groener, Mary Wickes, Oklahoma! Ensemble (1979), Jay Blackton | A Major | 4 | 11B | 75 BPM | ||
| Weep You No More Sad Fountains - Voice | Patrick Doyle, Jane Eaglen, Robert Ziegler | E♭ Major | 2 | 5B | 95 BPM | ||
| Paganini Rhapsody (On a Theme of Paganini: S. Rachmaninoff) [feat. Kirk Trevor & the Slovak National Symphony Orchestra] | Drew Tretick, Kirk Trevor, Slovak National Symphony Orchestra | D♭ Major | 2 | 3B | 84 BPM | ||
| Drink, Drink, Drink (From "The Student Prince") - 1989 Remastered | Sigmund Romberg, Mario Lanza, Constantine Callinicos | B♭ Major | 4 | 6B | 75 BPM | ||
| South Pacific - Original Broadway Cast Recording: This Was Nearly Mine - Voice | Richard Rodgers, Ezio Pinza, South Pacific Original Broadway Cast, Salvatore Dell'Isola | C Major | 3 | 8B | 79 BPM | ||
| Something Wonderful | Richard Rodgers, Dorothy Sarnoff | G Major | 1 | 9B | 170 BPM | ||
| The Impossible Dream (From "Man of La Mancha") | Joe Joseph Darion, Mitch Leigh, André Rieu, Johann Strauss Orchestra | E Minor | 3 | 9A | 62 BPM | ||
| Suite - From "Steel Magnolias" | Georges Delerue | D Major | 1 | 10B | 180 BPM | ||
| Brahms Symphony No. 3 - 3rd Movement | John Keating/London Symphony Orchestra | C Minor | 1 | 5A | 116 BPM | ||
| H.M.S. Pinafore, Act I: Overture | Gilbert & Sullivan Society of Houston | E♭ Major | 4 | 5B | 140 BPM | ||
| Proposal (from "An Affair To Remember") | Gary Grant, Deborah Kerr | G Major | 2 | 9B | 94 BPM | ||
| Love Theme / I'll Never Leave You (From "Sophie's Choice") | Marvin Hamlisch, Richard Stoltzman | E Major | 0 | 12B | 135 BPM | ||
| The Sound Of Music (Selections) | Richard Rodgers, Richard Hayman, Richard Hayman Symphony Orchestra | F Major | 2 | 7B | 125 BPM | ||
| Sun & Moon / Why God Why | Bournemouth Symphony Orchestra, Seann Alderking | D♭ Major | 1 | 3B | 70 BPM | ||
| Main Title - Born Free | John Barry | F Major | 1 | 7B | 81 BPM | ||
| Yesterday - Instrumental | John Lennon, Paul McCartney, André Rieu, Johann Strauss Orchestra | G Minor | 2 | 6A | 113 BPM | ||
| I Dreamed a Dream / Lovely Ladies / Who Am I? | Bournemouth Symphony Orchestra, Seann Alderking | B♭ Major | 1 | 6B | 143 BPM | ||
| Gold And Silver Waltz (Gold und Silber/L'or et l'argent) | Franz Lehár, Strauss Festival Orchestra, Peter Guth | C Major | 2 | 8B | 175 BPM | ||
| The Bridge On The River Kwai - The Colonel Bogey March | Malcolm Arnold | D Major | 5 | 10B | 122 BPM |