"La Hora Fértil" by Marco Mezquida had its release date on 2013. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Marco Mezquida's "La Hora Fértil" album is number 3 out of 14. La Hora Fértil is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Hora Fértil by Marco Mezquida to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Les Cathédrales | Matthieu Saglio | E Minor | 1 | 9A | 133 BPM | ||
| Lament & Consolation | Suzan Veneman, Vincent Veneman | A♭ Minor | 2 | 1A | 122 BPM | ||
| Gota d’água | Lina, Marco Mezquida | D Minor | 2 | 7A | 140 BPM | ||
| El Rosario de mi Madre | Lina, Marco Mezquida | D Minor | 2 | 7A | 140 BPM | ||
| Ode To Bach | Tia Fuller, Shamie Royston, Fuller Sound | G Minor | 2 | 6A | 119 BPM | ||
| Caribbean Movement | Omar Sosa | C Major | 2 | 8B | 130 BPM | ||
| El Día Después | Manel Fortia, Marco Mezquida, Raphaël Pannier | G Minor | 5 | 6A | 135 BPM | ||
| Aos Pés Da Santa Cruz | Hugo Fattoruso, Rey Tambor | A Minor | 1 | 8A | 76 BPM | ||
| Flamenco y Punto - Guajira | Mercedes Luján, Jéssica Estévez | D Major | 6 | 10B | 114 BPM | ||
| Je suis toujours | Michel Bisceglia, Didier François, Markku Ounaskari | D Minor | 0 | 7A | 118 BPM | ||
| Assisi | Fabrice Alleman, Nicola Andrioli, Michel Seba, Jean-Louis Rassinfosse, Armando Luongo, Budapest Scoring Orchestra | D♭ Major | 4 | 3B | 132 BPM | ||
| Gitanerias - Live | Harold López-Nussa | D Minor | 5 | 7A | 141 BPM | ||
| Seventy Steps to Vallcarca (Stairway to Diego) | Gabriel Amargant, Marco Mezquida, Miguel Serna, Gonzalo del Val, Adria Plana | G Major | 4 | 9B | 96 BPM | ||
| Los aretes de la luna | Lucia Fumero, Horacio Fumero | D♭ Major | 1 | 3B | 133 BPM | ||
| Pangea | Alba Careta | G Minor | 2 | 6A | 119 BPM | ||
| La soledad | Lau Noah, Ángeles Toledano | F Major | 1 | 7B | 135 BPM | ||
| Guardian of the Oceans | SFJAZZ Collective, Chris Potter, David Sánchez, Mike Rodriguez, Warren Wolf, Edward Simon, Matt Brewer, Kendrick Scott | F Minor | 2 | 4A | 110 BPM | ||
| La Reina del Tambor | Chicuelo, Marco Mezquida | F♯ Major | 6 | 2B | 88 BPM | ||
| Henya | Juan Medina, Lea Lu | C Major | 4 | 8B | 126 BPM | ||
| Quan tothom viurà d’amor | Roger Mas | C Minor | 5 | 5A | 128 BPM | ||
| Kanu | Momi Maiga, Montfort, Aleix Tobías, Marçal Ayats | E Major | 0 | 12B | 120 BPM | ||
| El Eco de Un Tambor: 7. Tema Final | Prism Quartet, Miguel Zenón | F Major | 1 | 7B | 79 BPM | ||
| Latin Genetics | Gonzalo del Val, Benet Palet, David Mengual, Marco Mezquida | C Major | 4 | 8B | 108 BPM | ||
| Menguante | Manel Fortia, Marco Mezquida | A Major | 2 | 11B | 80 BPM | ||
| Dark Soul | David Helbock, Julia Hofer | G Minor | 3 | 6A | 129 BPM |