Sindhu Raghupathy's ' "Mazhai" was released on its scheduled release date, August 1, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "Nadam". In this album, this song's track order is #5. Furthermore, we believe that the track originated from India. In terms of popularity, Mazhai is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Mazhai by Sindhu Raghupathy having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lalanuchu Noocheru | Vedavathi Prabhakar | D Major | 7 | 10B | 155 BPM | ||
| Viswanadhastakam | S. P. Balasubrahmanyam | G Major | 4 | 9B | 79 BPM | ||
| Sarakka Saritalla | Anuradha Sriram | D Major | 6 | 10B | 100 BPM | ||
| Om Nama Shivaya | Ponduri Prasad | C Major | 6 | 8B | 98 BPM | ||
| Sri Neela Saraswathi Stotram | K.S. Surekha | F♯ Minor | 5 | 11A | 170 BPM | ||
| Ashrutha Mandhara | Aravind Sriram, Somayajula Murty, Prasanna Rao | F Major | 6 | 7B | 136 BPM | ||
| Bidu Bidu | Manjula Gururaj | A Minor | 7 | 8A | 104 BPM | ||
| Ambha Shambhavi (Sri Rajarajeswari Stotram) | Nithya Santhoshini | D♭ Major | 6 | 3B | 135 BPM | ||
| Thaye Sharade | P. B. Sreenivas, Mst. Puneeth | B Major | 5 | 1B | 106 BPM | ||
| Evale Veena Paani | Manjula Gururaj, B.K. Sumitra, H. R. Krishnamurthy, Soumya | F Minor | 3 | 4A | 99 BPM | ||
| Sri Hari Hrudayave ( Kanaka Darasthuthi ) | B.K. Sumitra | G Major | 5 | 9B | 90 BPM | ||
| Suwa Lahkat He | Alka Chandrakar | B Major | 9 | 1B | 147 BPM | ||
| Sri Sivastottara Catanamastotram | J Bhakthavatsalam | F♯ Major | 5 | 2B | 128 BPM | ||
| Maha Mrutyunjaya Stotram | Malola Kannan, J Bhakthavatsalam | C Major | 4 | 8B | 174 BPM | ||
| Bhakthiya Aagara (Anjaneya) | Sindhu Raghupathy | D♭ Major | 8 | 3B | 103 BPM | ||
| Mangala Roopini (From "Om Sakthi Om Om Sakthi Om") | Vijayalakshmi Sarma | G Major | 5 | 9B | 98 BPM | ||
| Shuklam Baradharam...Gajamukhane | Manjula Gururaj, B.K. Sumitra, H. R. Krishnamurthy, K.S. Surekha, B. R. Chaya, Nanditha, Soumya | C Major | 5 | 8B | 144 BPM | ||
| Baadi Hoytu Namma | Vid Narayan | F Minor | 5 | 4A | 179 BPM | ||
| Suryodayadi Yeluva | Ajay Warriar | A Major | 8 | 11B | 95 BPM | ||
| Malaiyanoor | Pushpavanam Kuppusamy | A Minor | 5 | 8A | 78 BPM | ||
| Koo Koo Enutide Belava | C. Ashwath, Santha Shishunala Sharifa, B. R. Chaya | C Major | 6 | 8B | 175 BPM | ||
| Muthinarathi | Vidyabhushana | C Minor | 6 | 5A | 105 BPM | ||
| Okkade Okkade (From "Sri Manjunatha") | S. P. Balasubrahmanyam | A♭ Minor | 4 | 1A | 141 BPM | ||
| Sri Visnuraksa Stotram | Tiruvaindai K Maalola Kannan, J Bhakthavatsalam | C Major | 4 | 8B | 77 BPM | ||
| Anthayu Neeve | G Balakrishna Prasad | A♭ Major | 5 | 4B | 84 BPM |