"Send In The Clowns" by Clarinetes Ad Libitum had its release date on March 2, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 17 out of 17 in Contradanza by Clarinetes Ad Libitum. Send In The Clowns is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Send In The Clowns by Clarinetes Ad Libitum is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tango brasileiro | Alexandre Levy, Clelia Iruzun | A Major | 1 | 11B | 108 BPM | ||
| 3 Waltzes, D. 370: Waltz No. 12: Presto | Domenico Dragonetti, Ubaldo Fioravanti | F Major | 1 | 7B | 178 BPM | ||
| Iridescence | Jörgen Dafgård, Anders Paulsson | D Major | 1 | 10B | 80 BPM | ||
| Sasayaki ren | Angi G | B Minor | 3 | 10A | 121 BPM | ||
| Ó Bom Jesus, Meu Caro Jesus | Tocata Estilo Primitivos Pavão Bonito | C Major | 4 | 8B | 99 BPM | ||
| Bach, JS / Arr. Braga: Italian Concerto in F Major, BWV 971: I. — | Johann Sebastian Bach, Camerata Brasil, Henrique Cazes | F Major | 4 | 7B | 90 BPM | ||
| Charlie | Stéphane Tsapis | F Major | 2 | 7B | 177 BPM | ||
| Bok Espok / Enishie (Bonus Track) | Clarinetes Ad Libitum | G Major | 5 | 9B | 124 BPM | ||
| Ram e Sevom | Siavash Kamkar | A Minor | 7 | 8A | 127 BPM | ||
| Variaçoes Sobre o Samba do Urubu | Radamés Gnattali, Camerata Brasil | C Major | 4 | 8B | 127 BPM | ||
| Fascination Valse Tzigane for flute and guitar | Fermo Dante Marchetti, Jane Rutter, Giuseppe Zangari | E Major | 2 | 12B | 78 BPM | ||
| The Crave | Vincent Peirani, Emile Parisien | D Minor | 3 | 7A | 103 BPM | ||
| The Girl from Ipanema | Antônio Carlos Jobim, Ludmila Peterková, Irina Kondratenko | F Major | 1 | 7B | 74 BPM | ||
| Velvet Compass Waltz | Bheto VN | B♭ Major | 2 | 6B | 111 BPM | ||
| Somos Jóias Preciosas | Live Tocatas | E♭ Major | 3 | 5B | 154 BPM | ||
| Estamos Aí | Hiro Honshuku's Racha Fora | B♭ Major | 4 | 6B | 120 BPM | ||
| Souvenir d'un lieu cher, Op. 42: No. 3, Mélodie in E-Flat Major | Pyotr Ilyich Tchaikovsky, Sharon Kam, Itamar Golan | B Major | 6 | 1B | 98 BPM | ||
| Concertino For Saxophone & Piano: Part 2 | Peter Lehel, Ull Möck | D Major | 5 | 10B | 123 BPM | ||
| Seguimos adelante | Rencio Ochoa | A Major | 7 | 11B | 116 BPM | ||
| 12 Étude-Caprices pour Saxophone: No. XII | Christian Forshaw | G Minor | 2 | 6A | 73 BPM | ||
| Triste amor | Ramseos | D Major | 2 | 10B | 84 BPM | ||
| Valsa da Mouraria | Bernardo Couto, Bernardo Moreira, Luís Figueiredo | C Major | 3 | 8B | 102 BPM | ||
| Je prendrai le métro | Renaud Garcia-Fons, David Venitucci, Stéphan Caracci | F Major | 6 | 7B | 87 BPM | ||
| Waiting for Amalia | Anat Cohen, Trio Brasileiro, Dudu Maia, Douglas Lora, Alexandre Lora | D Major | 5 | 10B | 99 BPM | ||
| Foliada de Berducido | Clarinetes Ad Libitum | F Minor | 3 | 4A | 134 BPM |