We Are Defiance's 'So, Return To The King' had a release date set for March 28, 2011. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Trust In Few". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Based on our statistics, So, Return To The King's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With So, Return To The King by We Are Defiance having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Johnny's Light Sucks | Hopes Die Last | D Minor | 9 | 7A | 97 BPM | ||
| In Regret | My Ticket Home | A Major | 9 | 11B | 140 BPM | ||
| Somewhere In Hiding | Secrets | F Minor | 9 | 4A | 145 BPM | ||
| Crawling Toward Forgiveness | Before Their Eyes | F♯ Major | 9 | 2B | 102 BPM | ||
| To Sketch Memories In Stars | Amyst | G Major | 10 | 9B | 145 BPM | ||
| Call Trevor (337-0626) | Incredible' Me | B♭ Major | 10 | 6B | 160 BPM | ||
| Dead By Dawn | Tear Out The Heart | F Major | 10 | 7B | 123 BPM | ||
| Pyramids | Casino Madrid | A♭ Major | 9 | 4B | 146 BPM | ||
| Happy Endings Only Happen in Movies | Spies Like Us | A♭ Major | 10 | 4B | 95 BPM | ||
| Party Nerve | Claps for Caroline | B Minor | 10 | 10A | 85 BPM | ||
| Blind Date 101 | Make Me Famous | G Major | 10 | 9B | 120 BPM | ||
| Backstabbers Need Not Apply | Close to Home | F Minor | 9 | 4A | 162 BPM | ||
| The Ascent | Secrets | G Major | 10 | 9B | 120 BPM | ||
| Persist the Voice | Dream on Dreamer | F♯ Minor | 10 | 11A | 160 BPM | ||
| It's Lonely At The Top (Or So I've Heard) | Burden Of A Day | D Minor | 10 | 7A | 180 BPM | ||
| Heaven | Abandon All Ships | A♭ Major | 10 | 4B | 147 BPM | ||
| The Warning | This Romantic Tragedy | D♭ Major | 8 | 3B | 160 BPM | ||
| Fantasy Vs. Reality | Casino Madrid | C Minor | 10 | 5A | 160 BPM | ||
| Nothing Lasts Forever | Close to Home | A♭ Major | 9 | 4B | 175 BPM | ||
| The Masquerade | Adestria | D♭ Major | 10 | 3B | 85 BPM | ||
| From The Ground Up | Incredible' Me | D♭ Major | 10 | 3B | 172 BPM | ||
| Twisted Tongues | One Year Later | B Minor | 10 | 10A | 150 BPM | ||
| Rest in Pieces | Shoot the Girl First | B♭ Minor | 10 | 3A | 140 BPM | ||
| Life Sentencer | Casino Madrid | F♯ Major | 10 | 2B | 146 BPM | ||
| Empires | Scarlett O'Hara | F Minor | 10 | 4A | 145 BPM |