"Tu sei figla" by Mikhail Glinka, Игорь Худолей, Ольга Седельникова had its release date on 1993. With This song being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in Глинка, Варламов, Шуман, Шуберт, Вольф, so we believe that "Tu sei figla" is a single. In terms of popularity, Tu sei figla is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tu sei figla by Mikhail Glinka, Игорь Худолей, Ольга Седельникова is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I. Prélude. Andantino | César Franck, Jean-Pierre Armengaud | D Major | 0 | 10B | 66 BPM | ||
| Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
| Tales "Skazki", Op. 26: III. Narrante a piacere | Nikolai Medtner, Anna Gourari | F Minor | 0 | 4A | 62 BPM | ||
| Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
| 3 Romances, Op. 11: No. 1, Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
| Piano Concerto No. 2 In F Minor, Op. 21: 3. Allegro vivace | Frédéric Chopin, Krystian Zimerman, Polish Festival Orchestra | B♭ Minor | 2 | 3A | 107 BPM | ||
| 8 Etudes, Op. 42: No. 5 in C-Sharp Minor. Affannato | Alexander Scriabin, Evgeny Kissin | D♭ Minor | 2 | 12A | 132 BPM | ||
| Variations on a Theme from Bizet's Carmen (The Gypsy Song Act II) - White House Version | Vladimir Horowitz, Yuja Wang | E Major | 3 | 12B | 131 BPM | ||
| Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
| Allegro molto agitato in D Minor | Fanny Mendelssohn, Heather Schmidt | D Major | 1 | 10B | 111 BPM | ||
| Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
| The Seasons, Op. 37b: X. October (Autumn Song) | Pyotr Ilyich Tchaikovsky, Khatia Buniatishvili | D Minor | 0 | 7A | 72 BPM | ||
| Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM | ||
| Capriccio In B Minor, Op. 76 No. 2 | Johannes Brahms, Kun-Woo Paik | E♭ Major | 0 | 5B | 69 BPM | ||
| Mazurka in C Minor | Mikhail Glinka, Evgeny Soifertis | C Minor | 0 | 5A | 103 BPM | ||
| Borodin: String Quartet No. 2 in D Major: III. Notturno. Andante | Alexander Borodin, Borodin Quartet | F Major | 3 | 7B | 96 BPM | ||
| Orfeo ed Euridice, Wq. 30: Melodie dell'Orfeo (Arr. Sgambati for Piano) | Yuja Wang | D♭ Minor | 1 | 12A | 80 BPM | ||
| Ruslan and Ludmila: Overture | Mikhail Glinka, Czech Philharmonic, Karel Ančerl | A Major | 3 | 11B | 81 BPM | ||
| Albumblatt in A Minor | Johannes Brahms, Sophie-Mayuko Vetter | D Minor | 0 | 7A | 165 BPM | ||
| Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: II. Villanella (Quadro III | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 136 BPM | ||
| Russlan and Ludmilla Overture | Mikhail Glinka, The London Horn Sound, Geoffrey Simon | F Major | 1 | 7B | 149 BPM | ||
| Ruslan and Lyudmila, Op. 5, Act I: Introduction. Dela davno minuvsikh dnei | Mikhail Glinka, Alexander Vedernikov, Bolshoi Theatre Orchestra, Bolshoi Theatre Choir, Taras Shtonda, Ekaterina Morozova, Maksim Paster, Maria Gavrilova, Aleksandra Durseneva | B♭ Major | 1 | 6B | 101 BPM | ||
| Ballade No. 1 in G Minor, Op. 23 | Frédéric Chopin, Seong-Jin Cho | G Minor | 1 | 6A | 65 BPM | ||
| In Memoriam (Adagio from Piano Concerto) | Alma Deutscher | B♭ Minor | 0 | 3A | 65 BPM | ||
| Nocturne in F Minor "La séparation" - Arranged for Harp | Mikhail Glinka, Silke Aichhorn | C Major | 0 | 8B | 101 BPM |