Gawain, Act I (1994 Revised Version): The Severed Head Instructs Gawain. My Title Is Knight of the Green Chapel [Live] by Harrison Birtwistle, John Tomlinson, Francois Le Roux, Orchestra Of The Royal Opera House, Elgar Howarth Song Details

"Gawain, Act I (1994 Revised Version): The Severed Head Instructs Gawain. My Title Is Knight of the Green Chapel [Live]" by Harrison Birtwistle, John Tomlinson, Francois Le Roux, Orchestra Of The Royal Opera House, Elgar Howarth had its release date on August 5, 2014. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Harrison Birtwistle, Orchestra Of The Royal Opera House, Elgar Howarth's "Harrison Birtwistle: Gawain (1994 Revised Version)" album is number 17 out of 65. On top of that, United Kingdom appears to be the country where this track was created. Gawain, Act I (1994 Revised Version): The Severed Head Instructs Gawain. My Title Is Knight of the Green Chapel [Live] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Gawain, Act I (1994 Revised Version): The Severed Head Instructs Gawain. My Title Is Knight of the Green Chapel [Live] by Harrison Birtwistle, John Tomlinson, Francois Le Roux, Orchestra Of The Royal Opera House, Elgar Howarth to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -21.618 dB
Acousticness: 96%
Danceability: 16%
Energy: 22%
Instrumentalness: 21%
Liveness: 17%
Loudness: 64%
Speechiness: 9%
Valence: 4%

Recommendations

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Reflection, Op. 31a	Oliver Knussen, Tamsin Waley-Cohen, Huw Watkins	A Minor	1	8A	110 BPM
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Punch and Judy: Toccata III A	Harrison Birtwistle, Jan DeGaetani, Philip Langridge, Stephen Roberts, David Wilson-Johnson, John Tomlinson, London Sinfonietta, David Atherton	C Minor	0	5A	104 BPM
Considering Matthew Shepard, Passion: No. 8, Recitation III	Craig Hella Johnson, Conspirare, Melissa Givens	E♭ Minor	1	2A	91 BPM
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Maktah (berceuse phoque) (Chants de la jungle no.2)	Maurice Delage, Felicity Lott, Armin Jordan, Kammersensemble de Paris, Jean-Claude Bouveresse	E♭ Major	0	5B	128 BPM
Escenas	Gabriel Bouche Caro, Clare Monfredo, Eric Schultz	A Minor	1	8A	88 BPM
Tríptico R(ojo)	Renato Pedro Di Prinzio, Renato Di Prinzio	E♭ Major	2	5B	134 BPM
Symphony No. 1: I. [Quarter Note = 60]	Galina Ustvolskaya, London Philharmonic Orchestra, Christian Karlsen	C Major	0	8B	136 BPM
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Divertimento for Strings, BB 118 (Sz.113): II. Molto adagio	Béla Bartók, Orpheus Chamber Orchestra	B♭ Major	1	6B	105 BPM
Punch and Judy: Melodrama IV	Harrison Birtwistle, Jan DeGaetani, Philip Langridge, Stephen Roberts, David Wilson-Johnson, John Tomlinson, London Sinfonietta, David Atherton	B♭ Major	4	6B	128 BPM