Rajesh Lohia, Rajesh Chandra, Chetna's ' "Main To Piharyen Chali Jaongi" was released on its scheduled release date, January 24, 2007. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 6 in the song's album "Shiv Shanker Damruwale". In this album, this song's track order is #6. Furthermore, we believe that the track originated from India. Based on our statistics, Main To Piharyen Chali Jaongi's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Main To Piharyen Chali Jaongi by Rajesh Lohia, Rajesh Chandra, Chetna having a BPM of 147 with a half-time of 74 BPM and a double-time of 294 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kundalpur Milke Jayenge | Rajesh Lohia | B Major | 8 | 1B | 102 BPM | ||
| Hamse Parda Karo Na Murari | Pardeep Pannu | B Minor | 6 | 10A | 120 BPM | ||
| Khel Panda Khel Panda Re | Shahnaz Akhtar | B Minor | 9 | 10A | 104 BPM | ||
| Banwari Re Jeene Ka Sahara Tera Naam Re | Vandana Bhardwaj, Rajesh Lohia | D♭ Minor | 6 | 12A | 90 BPM | ||
| Vo Din Bhi Aaye Tere Vrindavan Mai Ayen Hum | Gaurav Krishna Goswami | A Major | 9 | 11B | 150 BPM | ||
| Mhara Mahakal Sarkar Jine Khamma Re Khamma 2.0 | Nitin Bagwan | A♭ Major | 8 | 4B | 108 BPM | ||
| Lakshman Sa Bhai Ho | Tripti Shakya | E Major | 4 | 12B | 94 BPM | ||
| Mere Ghar Ke Aage Sainath Tera Mandir Ban Jaye | Paras Jain | E Major | 9 | 12B | 92 BPM | ||
| Tere Prabhu Jante Hain | Mahendra Kapoor, Kalyanji-Anandji | A♭ Major | 5 | 4B | 124 BPM | ||
| Main Hoon Sharan Mein Teri | Ram Kumar Lakkha | B Minor | 9 | 10A | 91 BPM | ||
| Shiv Ji Bihane Chale Palki Sajay Ke | Gandharv Negi | A♭ Major | 8 | 4B | 116 BPM | ||
| Kali Mai Kali | Shahnaz Akhtar | F♯ Major | 9 | 2B | 76 BPM | ||
| Baba Ka Janamdin Aaya | Rajesh Lohia | F Minor | 9 | 4A | 118 BPM | ||
| Bajrang Bala Japu Teri Mala | Vijay Rajput, Sunil Sharma Dhingadiya | E Minor | 8 | 9A | 117 BPM | ||
| Shreeman Narayan Narayan | Tara Devi | A♭ Major | 8 | 4B | 147 BPM | ||
| Kankariya Se Matki | Ram Kumar Lakha | A Major | 8 | 11B | 108 BPM | ||
| Takdir Mujhe Le Chal Mahakal Ki Basti Mein | Shahnaaz Akhtar | C Major | 8 | 8B | 120 BPM | ||
| Sare Tirth Dham | Sadhvi Purnima | C Major | 7 | 8B | 120 BPM | ||
| Parbhu Hum Bhi Sharnagat Hai | Devendra Pathak | B♭ Minor | 7 | 3A | 82 BPM | ||
| Shiv Tandav Stotram | Bhakti Vatika, YES SIR, RealShanky | G Minor | 5 | 6A | 87 BPM | ||
| Motiyon Ki Ye Hai Mala | Rajesh Lohia | G Major | 8 | 9B | 94 BPM | ||
| Jai Ho Pawan Kumar | Shubhangi Joshi | F♯ Minor | 7 | 11A | 104 BPM | ||
| Rachae Shrishti Ko Jis Prabhu Ne | Dhiraj Kant | D♭ Major | 7 | 3B | 119 BPM | ||
| Jara Der Thahro Ram Tamanna Yahi Hai Chitrakoot Mahima Bundeli Bhajan | Chandra Bhushan Pathak | E♭ Minor | 10 | 2A | 160 BPM | ||
| Mera Ram Bhi Tu | Sukha Ram Saroa | C Minor | 8 | 5A | 104 BPM |