"On Course" by Johan Söderqvist, Hans Ek, Philharmonia Orchestra had its release date on April 26, 2013. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johan Söderqvist, Hans Ek's "Kon Tiki (Original Motion Picture Soundtrack)" album is number 5 out of 30. On top of that, United States appears to be the country where this track was created. In terms of popularity, On Course is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of On Course by Johan Söderqvist, Hans Ek, Philharmonia Orchestra to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Importance Of This River - From "Our Planet" | Steven Price | A Major | 2 | 11B | 68 BPM | ||
| Gallipoli | Johan Söderqvist, Patrik Andrén | B Major | 1 | 1B | 100 BPM | ||
| Faraway Downs | FELIX MEAGHER, Baz Luhrmann, Angela Little | G Major | 3 | 9B | 90 BPM | ||
| Sussex | Geoff Zanelli, Jon Brion | C Major | 1 | 8B | 140 BPM | ||
| First Sight / Penguins Finale | Benji Merrison, Will Slater | B Minor | 1 | 10A | 144 BPM | ||
| A Seam of Ironstone | Anne Dudley, The Chamber Orchestra Of London | D Minor | 2 | 7A | 63 BPM | ||
| Damaged - From “Downton Abbey” Soundtrack | John Lunn, The Chamber Orchestra Of London | F♯ Minor | 1 | 11A | 60 BPM | ||
| Second Resurrection | Rob Simonsen | G Major | 1 | 9B | 78 BPM | ||
| Mary's Theme | Rob Simonsen | C Major | 0 | 8B | 124 BPM | ||
| Missing Louise | Joel McNeely | C Major | 0 | 8B | 124 BPM | ||
| Mother Teresa | Ciaran Hope | B Minor | 0 | 10A | 90 BPM | ||
| The Little Girl | Nuno Malo | F Major | 1 | 7B | 114 BPM | ||
| Kon-Tiki (Start Credits) | Johan Söderqvist, Hans Ek, Philharmonia Orchestra | A Minor | 1 | 8A | 74 BPM | ||
| Dreaming of Fiji | Philip Glass | G Minor | 0 | 6A | 96 BPM | ||
| If Heaven Is for Real | Nick Glennie-Smith | D Minor | 0 | 7A | 56 BPM | ||
| End Roller | Peter Gregson | E♭ Major | 0 | 5B | 75 BPM | ||
| Main Title Theme (From "The English Patient") | Royal Liverpool Philharmonic Orchestra, Carl Davis | D Major | 0 | 10B | 72 BPM | ||
| Marlo and Ray | Nathan Barr | D Minor | 0 | 7A | 73 BPM | ||
| Alltag | Martin Lingnau, Ingmar Süberkrüb | B Minor | 2 | 10A | 110 BPM | ||
| Unseen By Men | Johannes Bornlöf | A♭ Major | 4 | 4B | 85 BPM | ||
| Pain, Loss & Love | Rupert Gregson-Williams | F Major | 0 | 7B | 85 BPM | ||
| Midnight in the Garden | Atli Örvarsson | F Major | 1 | 7B | 107 BPM | ||
| Runaway Jury | Christopher Young | F Minor | 1 | 4A | 68 BPM | ||
| My Dear Anne | Carter Burwell | A Minor | 0 | 8A | 82 BPM | ||
| Walter's Burial | Marc Streitenfeld | G Minor | 1 | 6A | 78 BPM |