"Missa Brevis In D, Op. 63: Sanctus & Benedictus" by Benjamin Britten, Carys Lane, Rebecca Outram, Deborah Miles-Johnson, Margaret Phillips, Harry Christophers had its release date on October 1, 2005. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 18 out of 26 in A Ceremony Of Carols - Britten Choral Works II by Benjamin Britten, The Sixteen, Harry Christophers. Based on our statistics, Missa Brevis In D, Op. 63: Sanctus & Benedictus's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Missa Brevis In D, Op. 63: Sanctus & Benedictus by Benjamin Britten, Carys Lane, Rebecca Outram, Deborah Miles-Johnson, Margaret Phillips, Harry Christophers is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Morten Lauridsen: O nata lux | Morten Lauridsen, Tone Bianca Sparre Dahl, Schola Cantorum | D Major | 1 | 10B | 140 BPM | ||
| The Tempest Suite No. 1, Op. 109, No. 2: I. The Oak Tree | Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu | B♭ Major | 0 | 6B | 86 BPM | ||
| Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | D Minor | 0 | 7A | 127 BPM | ||
| Delius / Arr. Fenby: Koanga, Act II: La Calinda | Frederick Delius, Sir John Barbirolli, Hallé | E Minor | 4 | 9A | 116 BPM | ||
| Saint Nicolas, Op. 42: Nicolas and the Pickled Boys | Benjamin Britten, Sir Peter Pears, Aldeburgh Festival Chorus, Boys From The Choir Of St. Mary-Le-Tower, Ipswich, The Aldeburgh Festival Orchestra | B Minor | 1 | 10A | 110 BPM | ||
| Dido & Aeneas, Z. 626: When I Am Laid in Earth "Dido's Lament" (Transcr. L. Stokowski) | Henry Purcell, Timothy Walden, Bournemouth Symphony Orchestra, José Serebrier | E Major | 0 | 12B | 76 BPM | ||
| D'un matin de printemps | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic | C Major | 1 | 8B | 130 BPM | ||
| Simple Symphony, Op. 4: IV. Frolicsome Finale | Benjamin Britten, English Chamber Orchestra | G Major | 4 | 9B | 78 BPM | ||
| Requiem in C Minor: I. Introitus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 0 | 4B | 58 BPM | ||
| Symphony No. 3, "Pastoral Symphony": IV. Lento - Moderato maestoso | Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels | G Major | 2 | 9B | 169 BPM | ||
| Requiem, Op. 9: I. Introït | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
| Symphony No. 3: II | Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste | A Minor | 0 | 8A | 95 BPM | ||
| Rachmaninov: Vespers, Op. 37: Slavosloviye velikoye | Sergei Rachmaninoff, Choir of King's College, Cambridge, Stephen Cleobury | C Minor | 0 | 5A | 81 BPM | ||
| 3 Dance Episodes from On the Town: No. 2, Lonely Town | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D Minor | 2 | 7A | 105 BPM | ||
| Clear and gentle stream, Op. 17, No. 4 - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | F Major | 1 | 7B | 92 BPM | ||
| The Dream of Gerontius, Op. 38, Pt.2: Introduction | Sir Edward Elgar, Hallé, Sir Mark Elder | F Major | 0 | 7B | 88 BPM | ||
| Prelude | Gerald Finzi, Royal Ballet Sinfonia, David Lloyd-Jones | D Minor | 0 | 7A | 127 BPM | ||
| Rejoice in the Lamb, Op. 30: For I will consider my Cat Jeoffrey | Benjamin Britten, Benedict Giles, Malcolm Green, Simon Wall, Thomas Williams, Iain Farrington, Choir of St. John's College, Cambridge, Christopher Robinson | D♭ Major | 3 | 3B | 124 BPM | ||
| II. Minuetto n. 2. All’esimio violinista prof. Augusto Michelangeli | Giacomo Puccini, Sinfonia Of London, John Wilson | D Minor | 0 | 7A | 127 BPM | ||
| A Midsummer Night's Dream / Act 1: "Over Hill, Over Dale" | Benjamin Britten, Choir Of Downside School, Purley, Wandsworth School Boys Choir, Richard Dakin, John Pryor, Ian Wodehouse, Gordon Clark, Stephen Terry, London Symphony Orchestra | G Major | 2 | 9B | 89 BPM | ||
| Les Sirènes | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | F♯ Major | 0 | 2B | 132 BPM | ||
| Prélude à l'après-midi d'un faune, CD 87a - Recorded 1985 | Claude Debussy, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 127 BPM | ||
| Britten: Soirées musicales, Op. 9: II. Canzonetta | Benjamin Britten, English Chamber Orchestra, Alexander Gibson | D Minor | 0 | 7A | 127 BPM | ||
| Stabat Mater, FP 148: I. Stabat mater dolorosa | Francis Poulenc, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A Minor | 1 | 8A | 77 BPM | ||
| Le Tombeau de Couperin, M. 68a: I. Prélude. Vif | Maurice Ravel, Les Siècles, François-Xavier Roth | F♯ Major | 0 | 2B | 74 BPM |