"A Last Conversation" by Iris Hond had its release date on September 2, 2016. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 9 in Dear World by Iris Hond. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. A Last Conversation is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Last Conversation by Iris Hond is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Odchodząc | Grzegorz Ciechowski, Zbigniew Krzywański, Hania Rani, Dobrawa Czocher | A Minor | 1 | 8A | 60 BPM | ||
| Lost in Neverland | Greg Maroney | F Minor | 1 | 4A | 83 BPM | ||
| Dust | Iris Hond | A Major | 1 | 11B | 127 BPM | ||
| Dijkwacht | Cor Bakker | E♭ Minor | 1 | 2A | 132 BPM | ||
| Epilogue | Kristoffer Wallin | F Minor | 1 | 4A | 201 BPM | ||
| Fridita (Adagio for Trumpet and Strings) | Remo Anzovino | C Minor | 3 | 5A | 93 BPM | ||
| The Heart Escapes | Iris Hond | C Major | 1 | 8B | 76 BPM | ||
| 11 Chorale Preludes, Op. 122: No. 10, Herzlich tut mich verlangen II (Arr. Mandyczewski for Piano 4 Hands) | Johannes Brahms, Lucas Jussen, Arthur Jussen | A Major | 0 | 11B | 106 BPM | ||
| Chagrin | Baptiste Allard | E♭ Major | 1 | 5B | 93 BPM | ||
| Treurzang Voor Stefan | Willem Vermandere | D Major | 0 | 10B | 68 BPM | ||
| Etude in F sharp minor, Op.8 No.2 | Iris Hond | D Major | 2 | 10B | 83 BPM | ||
| White Ocean | Troels Hammer, Reinhard Vanbergen | G Minor | 2 | 6A | 176 BPM | ||
| Mine own king am I and Joel (Arr. for Baroque Ensemble by Tineke Steenbrink) | Eric Vloeimans, Holland Baroque | A Minor | 0 | 8A | 121 BPM | ||
| Intermezzo cis-moll | Hania Rani | D♭ Minor | 0 | 12A | 73 BPM | ||
| Elixer | Harry Sacksioni | B Minor | 4 | 10A | 127 BPM | ||
| All I've Said | Mike Lazarev | C Minor | 0 | 5A | 103 BPM | ||
| Lyra | David Orlowsky, David Orlowsky Trio | G Major | 0 | 9B | 133 BPM | ||
| Au Bord du Rhône | REYN, Cécile Grüebler | F Minor | 2 | 4A | 128 BPM | ||
| Crystal Lights | Jef Neve | D Minor | 3 | 7A | 119 BPM | ||
| Yellow Summer Dress | Jef Martens | C Major | 1 | 8B | 75 BPM | ||
| Those Days | Martèn LeGrand | G Minor | 1 | 6A | 104 BPM | ||
| DNA (Arr. Knoth for Piano Quintet) | Ludovico Einaudi, Mari Samuelsen, Karolina Errera, Alexander Kovalev, Otto Tolonen, Julien Quentin | D♭ Minor | 1 | 12A | 94 BPM | ||
| Wanderungen | Andreas Vollenweider, Isabel Gehweiler | F Major | 1 | 7B | 61 BPM | ||
| 7 Choralbearbeitungen nach Johann Sebastian Bach: No. 7, Erbarme Dich mein, o Herre Gott (After Chorale Prelude, BWV 721) | Reinhard Febel, Lucas Jussen, Arthur Jussen | A Major | 0 | 11B | 106 BPM | ||
| Adagio in D Minor, BWV 974: II. Adagio | Johann Sebastian Bach, Alexandre Tharaud | D Minor | 0 | 7A | 65 BPM |