"Canciones for Horn & Piano" by Paul Basler, Gary L. Reeves, Nancy Zimmerman had its release date on August 19, 2022. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 11 out of 16 in A 20th & 21st Century Star-Spangled Horn Extravaganza by Gary L. Reeves, Nancy Zimmerman. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Canciones for Horn & Piano is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Canciones for Horn & Piano by Paul Basler, Gary L. Reeves, Nancy Zimmerman is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 3 "Slavyanskaya": II. Waltz | Boris Tikhonovich Kozhevnikov, North Texas Wind Symphony, Eugene Migliaro Corporon | G Minor | 1 | 6A | 70 BPM | ||
| The Planets, Op. 32: I. Mars, the Bringer of War | Szeged Trombone Ensemble, György Gyivicsán | C Major | 3 | 8B | 136 BPM | ||
| Messiaen: Vingt Regards sur l'Enfant Jésus: (Le Baiser de l'Enfant Jésus): II. Modéré | Alison Balsom, Guy Barker Orchestra, Tim Redmond | A♭ Minor | 1 | 1A | 92 BPM | ||
| Variations On "America" | US Marine Band | F Major | 1 | 7B | 118 BPM | ||
| Act 2: Prelude to Act Two / The Witch's Ride - Orchestra | Engelbert Humperdinck, Milwaukee Symphony Orchestra, Suzzane Mentzer, Hansel, Heidi Grant Murphy, Gretel, Andreas Delfs | F Major | 2 | 7B | 90 BPM | ||
| Anders Högstedt: A Night At The Opera V | Anders Högstedt, Axiom Brass, Christian Lindberg | D♭ Major | 2 | 3B | 82 BPM | ||
| Mass in D Major, Op. 86 / Gloria: IIa. Gloria in excelsis Deo | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | D♭ Minor | 0 | 12A | 108 BPM | ||
| 3 Ayres from Gloucester: 3 Ayres from Gloucester: No. 2, Ayre for Eventide (Live) | Hugh Stuart, Northshore Concert Band, Mallory Thompson | B♭ Major | 0 | 6B | 71 BPM | ||
| La Mezquita de Cordoba | Julie Giroux, University of Texas at El Paso Symphonic Winds, Ron Hufstader | B♭ Major | 2 | 6B | 136 BPM | ||
| Media Vita | Kerensa Briggs, Reading Phoenix Choir, Christoper Hann | F♯ Major | 1 | 2B | 104 BPM | ||
| Courtly Airs and Dances: VI. Allemande | Ron Nelson, Dallas Wind Symphony, Jerry Junkin | E Minor | 0 | 9A | 71 BPM | ||
| Reflections: Tarantella | Paul Basler, Susan McCullough | B Major | 1 | 1B | 75 BPM | ||
| St. John Passion, Part I: Sing, My Tongue, the Glorious Battle | Bob Chilcott, Laurie Ashworth, Ed Lyon, Darren Jeffrey, Neal Davies, Nick Baron, Chaconne Brass, Wells Cathedral Choir, Matthew Owens | C Minor | 4 | 5A | 163 BPM | ||
| Infinity | Kim André Arnesen, Alicia Rigsby, Kantorei, Joel Rinsema | D Major | 2 | 10B | 102 BPM | ||
| Majaliwa God willing, we will meet again | Paul Basler, MirrorImage Horn Duo, Tomoko Kanamaru | F Major | 0 | 7B | 70 BPM | ||
| Copland: Suite from Appalachian Spring: VII. Variations on a Shaker Hymn. Doppio movimento (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | C Major | 0 | 8B | 87 BPM | ||
| Hymn to the Eternal Flame (From to Be Certain of the Dawn) | The Singers - Minnesota Choral Artists, Matthew Culloton | D♭ Major | 1 | 3B | 169 BPM | ||
| Trombone Concerto in B-Flat Major: III. Allegro | Nikolai Rimsky-Korsakov, Christian Lindberg, Tokyo Kosei Wind Orchestra, Chikara Imamura | F Major | 1 | 7B | 69 BPM | ||
| American Hymnsong Suite: III Scherzo On Nettleton | Dwayne S. Milburn, The University of Southern Mississippi Wind Ensemble, Thomas V. Fraschillo | E♭ Major | 2 | 5B | 50 BPM | ||
| Sing to the Lord (Live) | Paul Basler, The Young Junior High Young Men, Nathan Burum, Toni Worley, Christi Jones | F Major | 2 | 7B | 116 BPM | ||
| Dublin Dances: I. Brian Boru's March | Jan van der Roost, Artie Henry Middle School Honors Band, Robert T. Herrings, III | D Minor | 2 | 7A | 73 BPM | ||
| An American Elegy | Frank Ticheli, North Texas Wind Symphony, Eugene Migliaro Corporon | A♭ Major | 2 | 4B | 126 BPM | ||
| El cabo de las tormentas: 5. Arcoiris | Juan Pablo Fernández Ramos | C Major | 0 | 8B | 91 BPM | ||
| Vigils Keep | Julie Giroux, University of Texas at El Paso Symphonic Winds, Ron Hufstader | E♭ Major | 0 | 5B | 88 BPM | ||
| Dove: Figures in the Garden: VII. Nocturne. Figaro and Susanna | Jonathan Dove, Antony Pay, Orchestra of the Age of Enlightenment | D♭ Major | 0 | 3B | 81 BPM |