Gottlieb Muffat, Mitzi Meyerson's ' "Suite No. 6 in G Major, R. 126-134: V. La Coquette, R. 130" was released on its scheduled release date, January 1, 2009. With This song being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gottlieb Muffat, Mitzi Meyerson's "Muffat, G.: Componimenti Musicali Per Il Cembalo" album is number 21 out of 51. On top of that, Spain appears to be the country where this track was created. Based on our statistics, Suite No. 6 in G Major, R. 126-134: V. La Coquette, R. 130's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Suite No. 6 in G Major, R. 126-134: V. La Coquette, R. 130 by Gottlieb Muffat, Mitzi Meyerson to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Partita B2 in D Minor: II. Allemande | Gottlieb Muffat, Roberto Loreggian | D Minor | 4 | 7A | 102 BPM | ||
| Dissertazioni sopra l´opera quinta del Corelli, VIolin Sonata No. 1 in D Major: II. Allegro | Francesco Maria Veracini, John Holloway, Jaap Ter Linden, Lars Ulrik Mortensen | F Minor | 1 | 4A | 81 BPM | ||
| Ouverture in G Major: I. Ouverture | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 4 | 7B | 123 BPM | ||
| Couperin, L: Suite en ré: III. Courante, G. 42 | Louis Couperin, Jean Rondeau | G Minor | 2 | 6A | 84 BPM | ||
| Gluck: Orfeo ed Euridice, Wq. 30, Act 1: Ballo. Tempo di minuè | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D Major | 1 | 10B | 93 BPM | ||
| Céphale et Procris, Prologue: Ouverture | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 1 | 4A | 75 BPM | ||
| Couperin, L: Suite en la: I. Prélude à l'imitation de Froberger, G. 6 | Louis Couperin, Jean Rondeau | C Minor | 2 | 5A | 138 BPM | ||
| Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: I. [Allegro] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton | A♭ Minor | 2 | 1A | 89 BPM | ||
| Overture No. 6 in B-Flat Major: III. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Major | 1 | 2B | 117 BPM | ||
| Pieces de clavecin: Suite in E Minor: IX. Tambourin | Jean-Philippe Rameau, Gilbert Rowland | C Minor | 8 | 5A | 143 BPM | ||
| Concerto a cinque No. 11, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | F♯ Minor | 2 | 11A | 65 BPM | ||
| Symphony in D Major, J-C 16: I. Alla breve | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | ||
| Trio Sonatas, Op. 2, Trio Sonata No. 1 in E Minor: I. Adagio | Jean-Joseph Cassanéa De Mondonville, Ensemble Diderot, Johannes Pramsohler | C Major | 1 | 8B | 97 BPM | ||
| Dardanus Suite, RTC 35A, Act I: Rigaudons I & II | Jean-Philippe Rameau, Indianapolis Baroque Orchestra, Barthold Kuijken | F♯ Major | 1 | 2B | 93 BPM | ||
| Suite in D Minor, MC B2: II. Allemande | Gottlieb Muffat, Naoko Akutagawa | D♭ Minor | 2 | 12A | 80 BPM | ||
| Sonata In C Major, RV 779: Largo e cantabile | Gail Hennessy & Nicholas Parle | A♭ Minor | 0 | 1A | 80 BPM | ||
| VI. Presto | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | B♭ Minor | 1 | 3A | 76 BPM | ||
| III. Largo | Francesco Barsanti, Dan Laurin, Parnassus Avenue | D♭ Minor | 1 | 12A | 122 BPM | ||
| Capriccio No. 15 in A Minor, "Desperato" | Gottlieb Muffat, Jörg-Andreas Bötticher | C Minor | 3 | 5A | 69 BPM | ||
| Concerto À 4 Parties In A Minor: 1. Allegro | Michel Blavet, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel | A♭ Minor | 2 | 1A | 108 BPM | ||
| Symphony No. 5 in C Major: II. Andante | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | A Minor | 1 | 8A | 159 BPM | ||
| Pièces de Clavecin in G minor: 9. Gigue de Lully | Jean-Henri d'Anglebert, Christophe Rousset | F Minor | 3 | 4A | 99 BPM | ||
| Couperin, L: Suite en si: III. Courante, G. 116 | Louis Couperin, Jean Rondeau | C Minor | 2 | 5A | 138 BPM | ||
| Concerto Armonico No. 2 in B-Flat Major: Allegro moderato | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 4 | 12B | 106 BPM | ||
| Concerto No. 6 in E flat for Harpsichord, Strings & Continuo - Orchestration reconstructed by Ottavio Dantone: 1. Allegro moderato | Alessandro Scarlatti, Ottavio Dantone, Accademia Bizantina | D Major | 2 | 10B | 144 BPM |