"The Code Changed Everything" by Sarah Warne had its release date on January 1, 1900. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Sarah Warne's "Humans Series 2 & 3 (Original Television Soundtrack)" album is number 28 out of 34. On top of that, United Kingdom appears to be the country where this track was created. The Code Changed Everything is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Code Changed Everything by Sarah Warne to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Run Into A.B. | Mark Mothersbaugh | A Major | 2 | 11B | 130 BPM | ||
| Two Riders | Jeff Danna | A Major | 1 | 11B | 53 BPM | ||
| Crash Landing | Anne Nikitin | D Minor | 3 | 7A | 111 BPM | ||
| Time Travel | Pinar Toprak | F Major | 4 | 7B | 98 BPM | ||
| La rumeur | Delphine Malaussena | D Minor | 4 | 7A | 180 BPM | ||
| Ungido | Aitor Etxebarria | C Major | 3 | 8B | 120 BPM | ||
| Golpeos | Reino De Fuego | F♯ Minor | 3 | 11A | 79 BPM | ||
| Burning Man | Hannes De Maeyer, Ruben de Gheselle | B♭ Minor | 1 | 3A | 150 BPM | ||
| The Path Ahead | Chris Roe | E Minor | 1 | 9A | 100 BPM | ||
| Nuremberg Suite Part II - Resistance | Brian Tyler | A Minor | 3 | 8A | 86 BPM | ||
| Robots Chase | Arnaud Toulon | C Major | 1 | 8B | 64 BPM | ||
| Load Up The Trades | Martin Phipps | D Minor | 3 | 7A | 111 BPM | ||
| Back to Myself | Samira Bashirova, Sgold | B Minor | 3 | 10A | 71 BPM | ||
| Memories in Motion | Jesse JiveHouse | C Major | 4 | 8B | 127 BPM | ||
| He's Innocent | Danny Bensi and Saunder Jurriaans | A Minor | 1 | 8A | 66 BPM | ||
| A Night in Cairo | Alexandre Desplat | D♭ Major | 1 | 3B | 136 BPM | ||
| Versailles | Delphine Malaussena | A♭ Major | 3 | 4B | 83 BPM | ||
| The Burning of Kullervo | Lauri Porra, Lahti Symphony Orchestra, Kristian Sallinen | D Minor | 3 | 7A | 111 BPM | ||
| Beverly Hills | Aysel Kazim, Selenay Kazim | C Minor | 3 | 5A | 85 BPM | ||
| The Border | Emilie Levienaise-Farrouch | E♭ Minor | 2 | 2A | 67 BPM | ||
| Lyraq | Andrew Lockington | B♭ Minor | 3 | 3A | 96 BPM | ||
| Istanbul | Konfusia Clayman, Konfusi Clayton | F Major | 1 | 7B | 131 BPM | ||
| Behind the Wheel | Lorne Balfe, Peter Adams | B♭ Major | 4 | 6B | 100 BPM | ||
| No One Can Ever Know | Luke Richards | E Minor | 1 | 9A | 92 BPM | ||
| Gilberto Hanson | Federico Jusid | D Minor | 3 | 7A | 111 BPM |