Dave Frishberg's 'Matty' had a release date set for February 14, 2006. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Matty's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Retromania: At The Jazz Bake". In this album, this song's track order is #20. In terms of popularity, Matty is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Matty by Dave Frishberg having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cute | Lionel Hampton | D Minor | 2 | 7A | 125 BPM | ||
| You Always Hurt The One You Love | Retta Christie, David Evans, Dave Frishberg | F Major | 4 | 7B | 111 BPM | ||
| Feels so Good | Mose Allison | G Minor | 2 | 6A | 135 BPM | ||
| Come Over Here and Treat Me Right | Louise Balkwill | F Minor | 4 | 4A | 133 BPM | ||
| I Am Beginning to See the Light | Barbara Morrison | E♭ Major | 1 | 5B | 146 BPM | ||
| Peace | Bobby McFerrin | F Minor | 1 | 4A | 100 BPM | ||
| 'Neath The Purple On The Hills | Retta Christie, Dave Frishberg, David Evans | B♭ Major | 4 | 6B | 93 BPM | ||
| Do Nothin' Til You Hear From Me | Ann Hampton Callaway | D♭ Major | 2 | 3B | 69 BPM | ||
| Nothing Like You | Bob Dorough, Dave Frishberg | B♭ Minor | 3 | 3A | 93 BPM | ||
| Am I Blue | Sheila Jordan | C Major | 0 | 8B | 74 BPM | ||
| Little Boy Blue | Holly Cole | D♭ Major | 2 | 3B | 132 BPM | ||
| Ask Me Nice | Mose Allison | D♭ Major | 1 | 3B | 123 BPM | ||
| The Dicty Glide | Don Byron | F Minor | 3 | 4A | 150 BPM | ||
| Show Me | Lorez Alexandria | F♯ Major | 2 | 2B | 84 BPM | ||
| Let Me Off Uptown | Gene Krupa Big Band, Anita O'Day, Roy Eldridge | A♭ Major | 3 | 4B | 133 BPM | ||
| At Long Last Love | Bill Henderson, Oscar Peterson Trio | B♭ Major | 2 | 6B | 129 BPM | ||
| They Say It's Wonderful | Chuck Redd | F Major | 2 | 7B | 144 BPM | ||
| Jamboree Jones | Dick Sudhalter, Dan Barrett, Bob Reitmeier, Dave Frishberg, Howard Alden, Putter Smith, Dick Berk | C Minor | 4 | 5A | 105 BPM | ||
| I'm Coming Virginia | Barbara Lea | E♭ Major | 2 | 5B | 117 BPM | ||
| Working the Night Shift | Snorre Kirk, Stephen Riley, Michael Blicher | F Major | 3 | 7B | 110 BPM | ||
| Ana Maria | Kenny Kirkland | C Minor | 3 | 5A | 131 BPM | ||
| Someday Baby | Ben Sidran, Rick Margitza | B♭ Minor | 4 | 3A | 80 BPM | ||
| Apology | King Oscar, Tema johnson | B Minor | 5 | 10A | 105 BPM | ||
| Disappointed | James Moody | F Major | 4 | 7B | 149 BPM | ||
| Tipsy Song ("Eine Nacht in Venedig", Op. 117) (feat. Marika Lichter) | Simone Kopmajer, Marika Lichter | B♭ Major | 2 | 6B | 127 BPM |