Debabrata Biswas's 'Akash Bhara Surja Tara' had a release date set for January 1, 1962. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Akash Bhara Surja Tara's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Rabindra Sangeet - Debabrata Biswas". In this album, this song's track order is #12. Furthermore, we believe that the track originated from India. In terms of popularity, Akash Bhara Surja Tara is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Akash Bhara Surja Tara by Debabrata Biswas having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aajo Madhuro Banshori Baaje | Mohammed Rafi | F♯ Minor | 4 | 11A | 88 BPM | ||
| Baje Na Banshi | S. D. Burman | F Minor | 5 | 4A | 101 BPM | ||
| Kakhan Dile Paraye | Hemanta Mukhopadhyay | B♭ Minor | 4 | 3A | 121 BPM | ||
| O Shyam Jakhan Takhan | Aarti Mukherji, Sujata Mukherjee | C Major | 4 | 8B | 139 BPM | ||
| Benimadhab Benimadhab | Lopamudra Mitra | A Major | 2 | 11B | 56 BPM | ||
| Tumi Ele Anek Diner Pare | Hemant Kumar, Nachiketa Ghosh | E♭ Minor | 5 | 2A | 131 BPM | ||
| Tumi Sundor Tai Cheye Thaki | Satinath Mukherjee | D♭ Minor | 2 | 12A | 87 BPM | ||
| Din Guli Mor Sonar | Prasun Mukherjee | F♯ Major | 4 | 2B | 135 BPM | ||
| Eso Tumi Buke Eso | Babul Bose, Udit Narayan | C Major | 7 | 8B | 126 BPM | ||
| O Alor Pathjatri | Preeti Banerjee, Debabrata Biswas, Salil Chowdhury | F Minor | 3 | 4A | 87 BPM | ||
| Mor Bina Othhey | Lopamudra Mitra | F Major | 3 | 7B | 93 BPM | ||
| Shyama Naamer Laglo Aagun | Swaraj Roy | D♭ Major | 5 | 3B | 148 BPM | ||
| Ogo Brishti Amar Chokher Pata | Haimanti Sukla | D Minor | 4 | 7A | 97 BPM | ||
| Maa Amar Rajar Meye | Dhananjay Bhattacharya | C Major | 3 | 8B | 113 BPM | ||
| Banshuriya | Kabir Suman | G Major | 5 | 9B | 129 BPM | ||
| Bhebe Dekh Mon Keu Karo Noy | Pannalal Bhattacharya | F Minor | 3 | 4A | 94 BPM | ||
| Jhilmil Jhilmil Jhiler Jale | S. D. Burman | A♭ Major | 3 | 4B | 89 BPM | ||
| Tomar Akash Duti Chokhe | Nirmala Mishra, Ravindra Jain | E♭ Minor | 3 | 2A | 101 BPM | ||
| Tumi Sandhyar Meghomala | Srikanta Acharya | F♯ Major | 4 | 2B | 113 BPM | ||
| Badol Dhara Holo Sara (Barsha) | Debabrata Biswas | F♯ Major | 2 | 2B | 130 BPM | ||
| Klanti Amar Khoma | Lopamudra Mitra | G Major | 2 | 9B | 114 BPM | ||
| Alo Amar Alo Ogo | Indranil Sen, Sreeradha Banerjee | C Major | 2 | 8B | 107 BPM | ||
| Tya Phulanchya Gandh | Hridaynath Mangeshkar | E Major | 1 | 12B | 67 BPM | ||
| Aamar Mallikabone | Kavita Krishnamurthy | F♯ Major | 2 | 2B | 76 BPM | ||
| O Keno Eto Sundari Holo | Manna Dey | A Major | 2 | 11B | 100 BPM |