On April 12, 1981, the song "Oh Jaani Aafat Tumhari" was released by Mohammed Rafi, Asha Bhosle, Laxmikant–Pyarelal. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 4 in Ek Aur Ek Gyarah by Laxmikant–Pyarelal. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Oh Jaani Aafat Tumhari is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Oh Jaani Aafat Tumhari by Mohammed Rafi, Asha Bhosle, Laxmikant–Pyarelal is Vivace (lively and fast), since this song has a tempo of 175 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ga Le Bhajan Sai Bhajan | Manhar Udhas | B♭ Minor | 5 | 3A | 101 BPM | ||
| Aye Meri Dilruba | Chandan Dass | G Major | 6 | 9B | 143 BPM | ||
| Rang Jeevan Mein | Salma Agha | F♯ Minor | 8 | 11A | 109 BPM | ||
| Ek Tha Rajaek Thi Rani | Lata Mangeshkar, Mohammed Rafi | A♭ Minor | 4 | 1A | 202 BPM | ||
| Vachana Vida Ke Paath | Hemlata | A Major | 5 | 11B | 150 BPM | ||
| Commentary And Gunche Lage Hain Kahne | Shailendra Singh, Ameen Sayani | G Major | 6 | 9B | 80 BPM | ||
| He Jagat Ke Malik Ram | Usha Mangeshkar | C Major | 5 | 8B | 106 BPM | ||
| Jai Jai Jai Sugreev Kapishwar | Anand Kumar C., Sudha Malhotra | B♭ Major | 9 | 6B | 78 BPM | ||
| Shyama O Shyama Rama O Rama | Hemlata | D Minor | 5 | 7A | 128 BPM | ||
| Hey Tera Mukhda Bada Salona Hai - From "Dhokebaaz" | Mohammed Rafi, Asha Bhosle | A♭ Minor | 5 | 1A | 68 BPM | ||
| Pataya Pataya Ladki Ko Pataya | Shabbir Kumar | E Minor | 8 | 9A | 140 BPM | ||
| Woh Chanchal Haseena | Roop Kumar Rathod | F Major | 10 | 7B | 120 BPM | ||
| Apni Mohabbat Se | Kishore Kumar, Asha Bhosle, Laxmikant–Pyarelal | E♭ Minor | 6 | 2A | 137 BPM | ||
| Nadiya Mein Lehren Nache | Shyamal Mitra | A♭ Major | 4 | 4B | 125 BPM | ||
| Ajab Hi Madhuchandrachi Raat | Mahendra Kapoor, Asha Bhosle | A Major | 8 | 11B | 111 BPM | ||
| Haath Na Lagana | Suman Kalyanpur, Minoo Purushottam | A Major | 7 | 11B | 106 BPM | ||
| Tararam Tararam Tararam Pa | S. P. Balasubrahmanyam | A Minor | 7 | 8A | 137 BPM | ||
| Idhar Bhi Ishwar Udhar Bhi - With Dialogue | Sushma Shrestha, Kamal Barot, Hemlata, Various Artists, Kalyanji-Anandji | A♭ Major | 6 | 4B | 83 BPM | ||
| Haiya Haiya Ho | Shabbir Kumar | G Minor | 8 | 6A | 136 BPM | ||
| Gulabi Gulabi Ankhon Se | Mohammed Rafi, Laxmikant–Pyarelal | A Major | 5 | 11B | 118 BPM | ||
| Commentary Tabussum And Yari Hai Imaan Mera - Zanjeer | Tabassum, Manna Dey, Kalyanji-Anandji | A♭ Major | 7 | 4B | 105 BPM | ||
| Daroga O Daroga | Kanu Bhattacharya, Asha Bhosle | E Major | 7 | 12B | 85 BPM | ||
| Aaj Iski Hai To Kal Uski | Shankar Dasgupta, Kalyanji-Anandji | D♭ Minor | 2 | 12A | 75 BPM | ||
| Mat Piyo Mere Chhaila Tambakudi | Leela Pawar, Master Amritlal | F♯ Minor | 2 | 11A | 76 BPM | ||
| Aa Gai Hai Ishq Pe Bahar | Lata Mangeshkar, Mohammed Rafi | G Major | 6 | 9B | 108 BPM |