"When The Time Comes" by Seahorse Trash had its release date on February 1, 2022. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. When The Time Comes's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Seahorse Trash's "Hannibal The Musical: Act 2" album is number 42 out of 45. In terms of popularity, When The Time Comes is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of When The Time Comes by Seahorse Trash to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Amen (Reprise) | Frankenstein World Premiere Cast | A Major | 2 | 11B | 75 BPM | ||
| Underneath | Aryan Simhadri, Holden William Hagelberger, Trevor Original Cast Recording Company | E♭ Major | 4 | 5B | 143 BPM | ||
| Act 3: S1 - New Albion 3 (feat. Kayleigh McKnight) | Paul Shapera, Kayleigh McKnight | A Minor | 7 | 8A | 137 BPM | ||
| TattleCrime | Seahorse Trash | A Minor | 6 | 8A | 108 BPM | ||
| Tarrytown | Andy Mientus, Krysta Rodriguez, Jeremy Jordan | C Major | 3 | 8B | 140 BPM | ||
| Greatness | Andrew Kober | B♭ Major | 4 | 6B | 58 BPM | ||
| Cold Case | The Mechanisms | G Major | 4 | 9B | 105 BPM | ||
| His Work and Nothing More | Anthony Warlow, Carolee Carmello, Philip Hoffman, John Raitt | G Minor | 3 | 6A | 125 BPM | ||
| Transformation | Anthony Warlow | A Minor | 2 | 8A | 131 BPM | ||
| Island | Sherie Rene Scott | B♭ Minor | 3 | 3A | 152 BPM | ||
| Punishment Time Medley! | Twisted Minds Theater, Kat Meuser, Dean Cane, Ian Hawks, Owen Hubbard | C Minor | 1 | 5A | 90 BPM | ||
| Happily Ever After Hour | Between the Lines Original Cast | G Major | 5 | 9B | 148 BPM | ||
| The Fall of the House of Borden/"The Alibi" | Carrie Cimma, Carrie Manolakos, Ryah Nixon | B Major | 8 | 1B | 126 BPM | ||
| This Is Not Love | Carrie Manolakos | D Major | 3 | 10B | 132 BPM | ||
| The Master's Song (feat. Euan Morton) | Jeremy Roberts, Frank Wildhorn, Euan Morton | C Major | 4 | 8B | 174 BPM | ||
| Carry Them With Me | Twisted Minds Theater | G Major | 4 | 9B | 137 BPM | ||
| My Mother's Weddin' Day | Stephanie J. Block, 'Brigadoon' 2017 New York City Center Ensemble | C Major | 5 | 8B | 118 BPM | ||
| Take Me to Bed | Lizard Boy Original Cast, Justin Huertas, Kirsten Delohr Helland, William A. Williams | C Minor | 4 | 5A | 74 BPM | ||
| The Trial part 1 | Seahorse Trash | F♯ Minor | 3 | 11A | 140 BPM | ||
| Hivebent | Broadway Homestuck | C Major | 1 | 8B | 93 BPM | ||
| Valley High | Blake Daniel, Gabriel Violett, Tim Ehrlich | D Major | 9 | 10B | 138 BPM | ||
| Danny & Andrew - From "We Aren't Kids Anymore" Studio Cast Recording | Drew Gasparini, Colton Ryan | F Major | 4 | 7B | 150 BPM | ||
| Mattie's Lament | Cathy Ang | D♭ Major | 5 | 3B | 119 BPM | ||
| The Needs of the Many | Khan!!! The Musical!, brentalfloss, Kerry Wilkerson | E♭ Major | 5 | 5B | 150 BPM | ||
| Ain’t It Strange? (Company) - 2017 Cut Closing Number | Eddie Perfect | F Major | 9 | 7B | 160 BPM |