"Gone" by Thomas Farnon had its release date on June 6, 2025. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Gone's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vignettes by Thomas Farnon. The song's track number on the album is #6 out of 10 tracks. Gone is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Gone by Thomas Farnon has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Gone being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Great Tree | Christopher Willis | E Minor | 2 | 9A | 75 BPM | ||
| Pool | Thomas James White | F♯ Minor | 1 | 11A | 100 BPM | ||
| Shores of Valhalla | Neonk | F♯ Major | 2 | 2B | 139 BPM | ||
| Abandon Ship | Roque Baños | F Minor | 3 | 4A | 92 BPM | ||
| Synchronicity | Secession Studios, Greg Dombrowski | D Minor | 2 | 7A | 93 BPM | ||
| Craving The Cold | Kevin Smuts | G Major | 0 | 9B | 67 BPM | ||
| A Lifetime Rolls By - annasara Rework | BPMoore, annasara | G Major | 2 | 9B | 137 BPM | ||
| Reverie | Thomas Farnon | C Minor | 3 | 5A | 91 BPM | ||
| Harp Seals | Thomas Farnon | E Minor | 1 | 9A | 90 BPM | ||
| Fateful News | Luke Richards | E♭ Major | 3 | 5B | 86 BPM | ||
| Clarence | S.T.R.S.G.N | B♭ Minor | 1 | 3A | 122 BPM | ||
| Gaal Leaves Synnax | Bear McCreary | G Minor | 2 | 6A | 95 BPM | ||
| Odessa, Daughter of Ellsworth | Jason Graves | F Major | 2 | 7B | 170 BPM | ||
| We Will Never Forget | Luke Richards | D♭ Major | 2 | 3B | 80 BPM | ||
| The Factory | Jordan Seigel | A♭ Major | 7 | 4B | 143 BPM | ||
| Le vin, c'est comme la musique | Ian Arber | F♯ Major | 2 | 2B | 139 BPM | ||
| Father | ABBOTT, Canea Quartett, Ruben Jeyasundaram | C Minor | 2 | 5A | 167 BPM | ||
| Yu Yi | Andre Corea | B♭ Minor | 2 | 3A | 121 BPM | ||
| Arrival of Tomorrow | Christoffer Franzen | B Minor | 4 | 10A | 115 BPM | ||
| Purpose | Tales of the Forgotten, Bill Hemstapat, Dylan C. Jones | D Minor | 1 | 7A | 77 BPM | ||
| Rosary | Anne Nikitin | A Minor | 2 | 8A | 70 BPM | ||
| Without Color | Hampus Naeselius | A Minor | 3 | 8A | 120 BPM | ||
| L’Antica Pesa | Paolo Buonvino | F♯ Major | 2 | 2B | 139 BPM | ||
| My Sanctuary | Amelia Warner | F Major | 1 | 7B | 63 BPM | ||
| They Arrive | Alan Mayer | G Minor | 7 | 6A | 90 BPM |