Rees Shad's 'Isn't It a Lovely Day' had a release date set for March 21, 2025. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Isn't It a Lovely Day's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Porcelain Angel". In this album, this song's track order is #5. In terms of popularity, Isn't It a Lovely Day is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With Isn't It a Lovely Day by Rees Shad having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| What a Heart Can Hold | Rees Shad | C Major | 6 | 8B | 138 BPM | ||
| As It Must Be | Kenneth Pattengale & Joey Ryan, The Milk Carton Kids | A Major | 3 | 11B | 94 BPM | ||
| Girl That I Love | Falls | A Minor | 6 | 8A | 108 BPM | ||
| Swerve | Stu Larsen | E Major | 3 | 12B | 180 BPM | ||
| Bittersweet (feat. Rees Shad) | Fester Spunk, Rees Shad | A Major | 6 | 11B | 172 BPM | ||
| Forever To The End | John Smith | F Major | 4 | 7B | 154 BPM | ||
| Kindness | Ryan Adams | B♭ Major | 3 | 6B | 126 BPM | ||
| Thumbing the Scales | Rees Shad | C Major | 4 | 8B | 123 BPM | ||
| If You've Gotta Go, Go Now - Bonus Track | J. Tillman | G Major | 2 | 9B | 87 BPM | ||
| Full Moon Rising | Neil Halstead | C Major | 3 | 8B | 74 BPM | ||
| Disappearing | Dan Wilson | E Major | 4 | 12B | 145 BPM | ||
| Sacred Ground | Over the Rhine | B♭ Minor | 3 | 3A | 129 BPM | ||
| Out Of Bed | Adam Cohen | A♭ Major | 1 | 4B | 73 BPM | ||
| Dead and Done | Bobby Long | C Major | 2 | 8B | 115 BPM | ||
| Follow You Anywhere | Monica Heldal | E Major | 4 | 12B | 89 BPM | ||
| Homebird | Foy Vance | C Major | 3 | 8B | 82 BPM | ||
| Fieldstone Walls | Rees Shad | G Major | 4 | 9B | 114 BPM | ||
| Dear John | Ryan Adams & The Cardinals, Norah Jones | F Major | 4 | 7B | 98 BPM | ||
| Lullabye | Amos Lee | B Minor | 2 | 10A | 179 BPM | ||
| My Sweet Mind | Nick Urb | D Minor | 5 | 7A | 98 BPM | ||
| Back to the River | Lily & Madeleine | D Major | 3 | 10B | 176 BPM | ||
| Moon in the Water | Dawes | A Major | 2 | 11B | 68 BPM | ||
| Into The Empty White | Ari Hest | G Major | 3 | 9B | 121 BPM | ||
| It's Only Natural | Lior, Emma Louise | F Major | 2 | 7B | 78 BPM | ||
| In a Northern Sky | Fossil Collective | G Major | 2 | 9B | 120 BPM |