aus's 'Sedimental Value - Aus Remix' had a release date set for March 13, 2013. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "ReCollected". In this album, this song's track order is #9. In terms of popularity, Sedimental Value - Aus Remix is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Sedimental Value - Aus Remix by aus having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lovers | aus | B♭ Minor | 3 | 3A | 100 BPM | ||
| Poetics of Non-Savoir | Kenta Tanaka | E Major | 3 | 12B | 75 BPM | ||
| Cantus for Winter, Part Two | zakè | E♭ Major | 3 | 5B | 105 BPM | ||
| Telegraph Weed Waltz | M. Sage | F♯ Major | 1 | 2B | 71 BPM | ||
| Chord | Keiichiro Shibuya, Marihiko Hara | A Minor | 1 | 8A | 78 BPM | ||
| KACHOFUGETSU / 花鳥風月 | yanaco | E♭ Major | 3 | 5B | 105 BPM | ||
| Some Meterological Observations | Stubbleman | F Major | 2 | 7B | 80 BPM | ||
| Chamber | Ida Urd, Ingri Høyland | E Minor | 2 | 9A | 139 BPM | ||
| Washes II | Benjamin Gustafsson | E♭ Major | 3 | 5B | 105 BPM | ||
| Tista lengter | Joe Harvey-Whyte, Geir Sundstøl, Jo Berger Myhre | E♭ Major | 3 | 5B | 105 BPM | ||
| 風 | Akira Yoshimura, Shuhei Miida | B♭ Major | 1 | 6B | 91 BPM | ||
| Bartholomew | Duncan Troast, Charlie Martin | E♭ Major | 1 | 5B | 72 BPM | ||
| Flaw - Single Edit | Noah, aus | G Minor | 4 | 6A | 109 BPM | ||
| We Were Dancing in Her Bedroom and then We Made Out | Dylan Henner | D♭ Major | 1 | 3B | 74 BPM | ||
| Happening Tone - 33 RPM LP Version | Jan Jelinek | E♭ Major | 3 | 5B | 105 BPM | ||
| Dream | Elori Saxl, Henry Solomon | E♭ Major | 3 | 5B | 105 BPM | ||
| deeply | [.que] | E♭ Major | 3 | 5B | 105 BPM | ||
| Marginalia #212 | Masakatsu Takagi | E♭ Major | 3 | 5B | 105 BPM | ||
| Dawn(jegogan) | Yuki Kawamura, yamp kolt | A♭ Major | 7 | 4B | 182 BPM | ||
| Uki | aus | D♭ Major | 5 | 3B | 115 BPM | ||
| Signals from a Distant Afterglow | Rafael Anton Irisarri, Karen Vogt | E♭ Major | 3 | 5B | 105 BPM | ||
| Reno Silver | Elori Saxl, Henry Solomon | E♭ Major | 3 | 5B | 105 BPM | ||
| Between Them | Jan Bang, Ensemble Modern, Eivind Aarset | E♭ Major | 3 | 5B | 105 BPM | ||
| with Chris - Single Edit | Lawrence English, Stephen Vitiello, Chris Abrahams | G Minor | 1 | 6A | 70 BPM | ||
| tinySketch #50 | kita kouhei | G Major | 1 | 9B | 79 BPM |