Rajkumar Swami's ' "Ek Bar Aavoni Balaji Mare Pavna Bhajan" was released on its scheduled release date, November 26, 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Salasar Balaji Bhajan". In this album, this song's track order is #3. Furthermore, we believe that the track originated from France. Ek Bar Aavoni Balaji Mare Pavna Bhajan is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Ek Bar Aavoni Balaji Mare Pavna Bhajan by Rajkumar Swami having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chausath Jogani | Prem Nath | E Minor | 10 | 9A | 80 BPM | ||
| Shri Ram Se Manai Mila De | Ramkumar Lakha, Kumar Vishu, Rakesh Kala, Narender Kaushik | A♭ Major | 9 | 4B | 129 BPM | ||
| Thir Ghar Baiso | Bhai Simranjit Singh, North Kirtan Studio | F♯ Major | 5 | 2B | 144 BPM | ||
| Hujur Aate Aate Bahut Der Kar Di | Dhiraj Kant | E Major | 8 | 12B | 162 BPM | ||
| Ram Se Lagi Dori shyam Bundeli Ram Bhajan | Chandra Bhushan Pathak | F♯ Major | 6 | 2B | 148 BPM | ||
| Mare Jodi Ra Bhartar | Kheta Khan | C Major | 8 | 8B | 108 BPM | ||
| Moye Le Gaye Patari Me | JaiSingh Raja, Roshani Patel | F♯ Major | 8 | 2B | 151 BPM | ||
| Raychand Ji | Ray Chand, Champa Methi | D Minor | 9 | 7A | 110 BPM | ||
| Kaye Baithe Mann Maare | Deshraj Pateriya, Savita Parwati, Ramkripal Ray | E♭ Major | 7 | 5B | 148 BPM | ||
| Babo Pal Me Dukada | Rajkumar Swami | D Major | 6 | 10B | 178 BPM | ||
| Punmul Jaisa | Champe Khan | F♯ Minor | 8 | 11A | 91 BPM | ||
| Bheru Ji Puchhe Mata Ji Ne Has Has Bata | Balveer Ranveer Joda Bhai | F♯ Minor | 9 | 11A | 120 BPM | ||
| Aarji Sunlo Bajrang Bala 2 Marwadi Bhajan | Rajkumar Swami | B Minor | 9 | 10A | 63 BPM | ||
| DARGAH KI PAIDI | Ashu Verma | C Major | 8 | 8B | 101 BPM | ||
| Dharmik Geet | AMRIK TOOFAN, Harjit Mattu | A♭ Major | 8 | 4B | 97 BPM | ||
| Goriya Kavan Gunva Paake Itrail | Bharat Sharma Vyas | G Major | 5 | 9B | 169 BPM | ||
| Jay Jay Gava Jasnath Ji Re Sharne | Prakash Mali | C Minor | 8 | 5A | 97 BPM | ||
| Mera khalsa sukha di nid sowe | Baba Gulab Singh ji Chamkaur Sahib Wale | D♭ Major | 3 | 3B | 67 BPM | ||
| Mai Hala Hala Ke Hari | JaiSingh Raja, Roshani Patel | F♯ Major | 8 | 2B | 151 BPM | ||
| Shamshana Mein Khaas Thikana Maa Kali Ka | Mukesh Sharma (urlana Wale), Bhagat Satte Rana | A♭ Minor | 9 | 1A | 117 BPM | ||
| Jogi Nikka Jeha | Karamat Fakir, Ghulam Ali Qawwal | B Minor | 7 | 10A | 99 BPM | ||
| Pyar Paa Leya | Surinder Bujrak, Anita Samana | B♭ Minor | 8 | 3A | 92 BPM | ||
| Kal Taaran Guru Nanak Aaya | Bhai Simranjit Singh Ji Hazoori Ragi Sri Darbar Sahib Amritsar | D♭ Major | 4 | 3B | 81 BPM | ||
| BAGAD WALA RANA - Freestyle | Jai Goga Jaharveer Ji | A♭ Major | 7 | 4B | 81 BPM | ||
| Jija Bikchu So Raho Khaye | Naresh Gurjar | D Minor | 9 | 7A | 148 BPM |