Mohammed Rafi, Kalyanji-Anandji's ' "Mere Mitwa Mere Meet Re" was released on its scheduled release date, January 1, 1971. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Kalyanji-Anandji's "Geet" album is number 7 out of 8. On top of that, India appears to be the country where this track was created. Based on our statistics, Mere Mitwa Mere Meet Re's popularity is average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Mere Mitwa Mere Meet Re by Mohammed Rafi, Kalyanji-Anandji to be Allegro (fast, quick, and bright) because the track has a tempo of 155 BPM, a half-time of 78BPM, and a double-time of 310 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dekhiye Ye Sansar Hai | S. P. Balasubrahmanyam | D♭ Minor | 4 | 12A | 81 BPM | ||
| Jab Jab Apna Mel Hua | Sulakshana Pandit, Mohammed Rafi | D Major | 5 | 10B | 82 BPM | ||
| Mujhe Aisa Mila Moti | Kalyanji-Anandji, Lata Mangeshkar | E Major | 8 | 12B | 112 BPM | ||
| Mere Bachpan Ke Saathi | Noor Jehan | C Minor | 4 | 5A | 144 BPM | ||
| Kabhie Kisi Ko Muqammal Jahan - Ahista Ahista / Soundtrack Version | Bhupinder Singh | A Major | 3 | 11B | 98 BPM | ||
| Meri Tamannaon Ki Taqdeer Tum | Mukesh, Kalyanji-Anandji | C Major | 4 | 8B | 129 BPM | ||
| Aaj Bichhde Hain | Bhupinder Singh | A Major | 2 | 11B | 95 BPM | ||
| Tumhari Nazar Kyon Khafa Ho Gayi (From "Do Kaliyan") | Lata Mangeshkar, Mohammed Rafi | D♭ Minor | 5 | 12A | 81 BPM | ||
| Haathon Ki Chand Lakeeron Ka | Suresh Wadkar, Anwar Hussain, Kalyanji-Anandji | D Major | 7 | 10B | 87 BPM | ||
| Main Shair To Nahin | Shailendra Singh, Laxmikant–Pyarelal | E Minor | 5 | 9A | 144 BPM | ||
| Yeh Duniya Yeh Mehfil (Remix) | Mohammed Rafi, Anurag Abhishek | F Major | 6 | 7B | 136 BPM | ||
| Jeena Nahi | Amit Kumar, Anuradha Paudwal | B♭ Minor | 6 | 3A | 103 BPM | ||
| Sapnon Ka Raja - Chalte Chalte / Soundtrack Version | Sulakshana Pandit, Shailendra Singh | A Minor | 6 | 8A | 156 BPM | ||
| Aye Zindagi Gale Lagaa Le | Ilaiyaraaja, Suresh Wadkar | F♯ Minor | 4 | 11A | 159 BPM | ||
| Jhuke Jo Tere Naina | Mahendra Kapoor, Usha Khanna, Kalyanji-Anandji | A♭ Major | 6 | 4B | 126 BPM | ||
| Teri Duniya Se Door | Lata Mangeshkar, Mohammed Rafi | F Minor | 2 | 4A | 81 BPM | ||
| Hairan Hoon Main | Shabbir Kumar, Anuradha Paudwal | D♭ Major | 6 | 3B | 109 BPM | ||
| Khoye Khoye Rahe Teri | Kalyanji-Anandji, Kishore Kumar, Anuradha Paudwal | D Minor | 7 | 7A | 128 BPM | ||
| Chandi Ki Cycle Sone Ki Seat (From "Bhabhi") | Nitin Mukesh, Anuradha Paudwal | G Minor | 8 | 6A | 98 BPM | ||
| Commentary Tabussum And O Saathi Re - Muqaddar Ka Sikandar | Tabassum, Kishore Kumar, Kalyanji-Anandji | F♯ Major | 5 | 2B | 99 BPM | ||
| Ab To Jee Hone Laga | Shamshad Begum | E♭ Major | 6 | 5B | 132 BPM | ||
| Yeh Zindagi Ka Safar | Talat Aziz, Kavita Krishnamurthy | E Major | 5 | 12B | 105 BPM | ||
| Tu Is Tarah Se - Hemlata | Hemlata | G Major | 3 | 9B | 91 BPM | ||
| Tum Agar Saath Dene Ka Vada Karo | Mahendra Kapoor | B Major | 3 | 1B | 149 BPM | ||
| An Evening In Paris | Mohammed Rafi | D Minor | 8 | 7A | 117 BPM |