Gladys Knight & The Pips's ' "It Used to Be Me - Instrumental" was released on its scheduled release date, 1983. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Visions (Expanded Edition) by Gladys Knight & The Pips. The song's track number on the album is #11 out of 33 tracks. Based on our statistics, It Used to Be Me - Instrumental's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since It Used to Be Me - Instrumental by Gladys Knight & The Pips has a tempo of 142 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With It Used to Be Me - Instrumental being at 142 BPM, the half-time would be 71 BPM with a double-time of 284 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Car Wash - Long Version | Rose Royce | A Minor | 5 | 8A | 118 BPM | ||
| L-O-V-E (Love) | Al Green | F Major | 5 | 7B | 109 BPM | ||
| Now That We Found Love | The O'Jays | C Major | 6 | 8B | 114 BPM | ||
| When You're Young And In Love | The Marvelettes | A♭ Major | 6 | 4B | 118 BPM | ||
| Sweet Love | Anita Baker | B♭ Minor | 7 | 3A | 89 BPM | ||
| Part Time Love | Gladys Knight & The Pips | F♯ Minor | 3 | 11A | 124 BPM | ||
| Drowning in the Sea of Love | Joe Simon | D Minor | 2 | 7A | 70 BPM | ||
| I Say A Little Prayer | Martha Reeves & The Vandellas | G Major | 4 | 9B | 141 BPM | ||
| Use Ta Be My Girl | The O'Jays | F♯ Major | 6 | 2B | 112 BPM | ||
| I Believe In You (You Believe In Me) | Johnnie Taylor | C Major | 2 | 8B | 113 BPM | ||
| Soul Man | Sam & Dave | C Major | 4 | 8B | 112 BPM | ||
| Walkin' In The Rain With The One I Love | Love Unlimited | B♭ Major | 6 | 6B | 138 BPM | ||
| Wake Up Everybody (feat. Teddy Pendergrass) | Harold Melvin & The Blue Notes, Teddy Pendergrass | F♯ Major | 6 | 2B | 98 BPM | ||
| The End Of Our Road | Gladys Knight & The Pips | G Minor | 5 | 6A | 113 BPM | ||
| Love's Theme | The Love Unlimited Orchestra | E Minor | 6 | 9A | 97 BPM | ||
| Me and Mrs. Jones | Billy Paul | A♭ Major | 5 | 4B | 201 BPM | ||
| Me and Mrs. Jones - Single Version | Billy Paul | A♭ Major | 5 | 4B | 100 BPM | ||
| Want Ads | Honey Cone | F Minor | 7 | 4A | 94 BPM | ||
| You Know How to Love Me - Long Version | Phyllis Hyman | B♭ Major | 6 | 6B | 117 BPM | ||
| That's Where It's At | Sam Cooke | C Major | 4 | 8B | 100 BPM | ||
| Is It Love You're After | Rose Royce | D Major | 6 | 10B | 117 BPM | ||
| You Can't Hurry Love | The Supremes | B♭ Major | 7 | 6B | 194 BPM | ||
| The Only Time You Ever Say You Love Me | Dorothy Moore | A Major | 3 | 11B | 141 BPM | ||
| Warm and Tender Love - Single Version | Percy Sledge | D Major | 3 | 10B | 82 BPM | ||
| The Way We Were | Barbra Streisand | F Major | 1 | 7B | 100 BPM |