"Qualis est dilectus tuus" by John Forest, La Reverdie had its release date on 1993. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Qualis est dilectus tuus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in La Reverdie's "Knights, Maids and Miracles: The Spring of Middle Ages" album is number 2 out of 93. On top of that, France appears to be the country where this track was created. The popularity of Qualis est dilectus tuus is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Qualis est dilectus tuus by John Forest, La Reverdie to be Vivace (lively and fast) because the track has a tempo of 173 BPM, a half-time of 86BPM, and a double-time of 346 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Most Holy mother of God | Ars Poliphonica | C Major | 1 | 8B | 63 BPM | ||
| Vos quied admiramini - Gratissima viginis species (Arr. Harre-Jones) | Philippe de Vitry, Orlando Consort | F Major | 2 | 7B | 101 BPM | ||
| Palestrina: Missa Assumpta est Maria - 05. Gratias agimus tibi | Giovanni Pierluigi da Palestrina, Peter Phillips, The Tallis Scholars | B♭ Major | 1 | 6B | 93 BPM | ||
| D'un autre amer: D'ung aultre amer | Johannes Ockeghem, Capilla Flamenca | D Minor | 1 | 7A | 86 BPM | ||
| Missa "Orbis factor": Kyrie | Fernão Gomes Correia, Capella Duriensis, Jonathan Ayerst | A♭ Minor | 2 | 1A | 83 BPM | ||
| This marriage | Ars Poliphonica | C Major | 1 | 8B | 63 BPM | ||
| Aquila altera / Creatura gentile / Uccel di Dio | Jacopo da Bologna, La Reverdie | D Major | 1 | 10B | 48 BPM | ||
| Antiphona: Gratias tibi Deus | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
| Bronx Bombers - 2023 Remaster | John Forest | F♯ Major | 7 | 2B | 133 BPM | ||
| Qué mayor desventura | Antonio de Contreras, Música Temprana, Adrian Rodriguez van der Spoel | A Minor | 0 | 8A | 118 BPM | ||
| Dilexisti iustitiam: Graduel - Graduel de Paris | Anonymous, Brigitte Lesne, Discantus | B Minor | 0 | 10A | 74 BPM | ||
| Lachrimae or Seven Tears: II. Lachrimae antiquae novae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
| Canzoni a quattro voci, Op. 1: No. 4, La Merula | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| Flamma Eterna | Monks Of The Abbey Of Notre Dame, Wonderworker, The Schola Cantorum of St. John XXIII Parish | D Minor | 2 | 7A | 104 BPM | ||
| Missa pro Defunctis (1544): Kyrie | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 91 BPM | ||
| Votive antiphon: Tota pulcra es | John Forest, Orlando Consort | E♭ Major | 2 | 5B | 101 BPM | ||
| O pulcherrima mulierum a 5 | Jacques Arcadelt, Chœur De Chambre De Namur, Leonardo García-Alarcón, Adrià Gracia | B♭ Minor | 1 | 3A | 81 BPM | ||
| The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
| Palestrina: Missa Sicut lilium - 07. Crucifixus | Giovanni Pierluigi da Palestrina, Peter Phillips, The Tallis Scholars | B Minor | 1 | 10A | 72 BPM | ||
| Tribus miraculis, LV 219 | Orlande de Lassus, Owain Park, The Gesualdo Six | F♯ Major | 1 | 2B | 80 BPM | ||
| Madrigali Erotici E Spirituali: Plorat Amare | Consort Of Musicke, Andrew King, Emma Kirkby, Mary Nichols, Gabriele Micheli, Claudio Monteverdi, Joseph Cornwell, Evelyn Tubb, Simon Grant | A Minor | 1 | 8A | 169 BPM | ||
| Herre, nun lässt deinen Diener in Frieden fahren | Michael Preatorius, Vox Luminis, Lionel Meunier | F Major | 1 | 7B | 79 BPM | ||
| Missa Jubilate Deo: Kyrie | Schola Laudis, Kevin Allen | A♭ Major | 4 | 4B | 124 BPM | ||
| Viderunt omnes No. 1: ...Salutare suum ante conspectum gentium revelavit... | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 1 | 3B | 77 BPM | ||
| Salve Sanctus Parens | Traditional Gregorian Chant, The Benedictine Monks of St. Michael de Laudes | C Major | 2 | 8B | 144 BPM |