ウィリアム・バード, 中村恵美's ' "The Queen’s Alman, BK 10" was released on its scheduled release date, 2018. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in ウィリアム・バード & ジャパン, so we believe that "The Queen’s Alman, BK 10" is a single. In terms of popularity, The Queen’s Alman, BK 10 is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of The Queen’s Alman, BK 10 by ウィリアム・バード, 中村恵美 is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 18 Sonatas in 1, 2, 3 Parts: Sonata No. 2 in D Major | Giovanni Battista Fontana, Daniele Caminiti, Marcin Świątkiewicz, Rachel Podger | D♭ Major | 1 | 3B | 127 BPM | ||
| Op.12, No.4: Canzon La Treccia | Tarquinio Merula, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
| Tre Pezzi: 1. Recercar super LA-FA-SOL-LA-RE (Transcription By Bruno Maderna) | Girolamo Frescobaldi, Orchestra della Svizzera Italiana, Dennis Russell Davies | A Minor | 1 | 8A | 140 BPM | ||
| Introduzione e 6 Variazioni Brillanti, Op. 23 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): II. Tema allegretto con gusto | Ernst Krähmer, Claudio Ferrarini | D Minor | 3 | 7A | 71 BPM | ||
| Gagliarda Terza detta la Talianella | The Royal Wind Music | A♭ Major | 1 | 4B | 169 BPM | ||
| Couperin, L: Suite en si: III. Courante, G. 116 | Louis Couperin, Jean Rondeau | C Minor | 2 | 5A | 138 BPM | ||
| Purcell: Funeral Sentences for the Death of Queen Mary, Z. 27: III. Canzona | Henry Purcell, Alison Balsom, Balsom Ensemble | B Minor | 1 | 10A | 76 BPM | ||
| Serenade in D Major, LMV VIII:9: VI. Adagio | Leopold Mozart, Fabrice Millischer, Bayerische Kammerphilharmonie, Reinhard Goebel | G Major | 1 | 9B | 100 BPM | ||
| Organ Concerto in F Major, HWV 293, Op. 4 No. 5 (Arr. for Harp & Orchestra by Álmos Tallós): II. Allegro | George Frideric Handel, Xavier De Maistre, Lucerne Festival Strings | F Major | 2 | 7B | 155 BPM | ||
| Sonate pour le violon et le clavecin in D Minor: I. [...] | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | D♭ Minor | 1 | 12A | 105 BPM | ||
| Fantasia No. 3 in B Minor, TWV 40:4: I. Largo – Vivace – Largo – Vivace | Georg Philipp Telemann, Lucie Horsch | D♭ Minor | 0 | 12A | 85 BPM | ||
| Die Dreigroschenoper: Overture (Arr. for Double Bass, Piano & Accordion by Murray Grainger, Marianne Schofield & William Vann) | Kurt Weill, William Vann, Murray Grainger, Marianne Schofield | D Minor | 3 | 7A | 71 BPM | ||
| Varii, e diversi capricci per camera, Op. 50: Capriccio in eco (nella grotta) | Maurizio Cazzati, L'Arpeggiata, Christina Pluhar | F Minor | 3 | 4A | 110 BPM | ||
| Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): I. Preludio (Adagio) | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Major | 2 | 3B | 130 BPM | ||
| The Nightmare Song | Olive the Otter Dog | B Major | 0 | 1B | 166 BPM | ||
| Sonata da camera in G Minor, "O Haupt voll Blut und Wunden": III. Adagio | Johann Gottlieb Janitsch, Il Gardellino | E Major | 1 | 12B | 60 BPM | ||
| Sinfonie D-Dur, Wq. 183: Sinfonie D-Dur, Wq. 183: II. Largo | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D Major | 0 | 10B | 106 BPM | ||
| Canzoni a quattro voci, Op. 1: No. 2, La Lusignuola | Tarquinio Merula, InAlto, Lambert Colson | B♭ Minor | 1 | 3A | 133 BPM | ||
| Sonates sans basse: Sonata in G Major, TWV 40:101: Soave | Georg Philipp Telemann, Mindy Rosenfeld, Stephen Schultz, American Baroque | E♭ Major | 0 | 5B | 129 BPM | ||
| Handel: Concerto grosso in D Major, HWV 323: I. Overture. Larghetto (Transcr. for Piccolo Trumpet and Baroque Orchestra by Simon Wright) | George Frideric Handel, Alison Balsom, Pinnock’s Players, Trevor Pinnock | B♭ Major | 1 | 6B | 124 BPM | ||
| The Voyage of Dreams | Anastasiia Shevchenko | A Major | 4 | 11B | 105 BPM | ||
| Messa Della Domenica: Tocata Cromaticha Per la levatione | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
| Violin Sonata No. 6 in C Minor, C. 143: I. — | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | B Minor | 1 | 10A | 85 BPM | ||
| Corrente Italiana | Juan Cabanilles, Le Poème Harmonique, Vincent Dumestre | E♭ Major | 2 | 5B | 122 BPM | ||
| Salmi concertati, Op. 1: No. 18, Canzon seconda à 3 | Giovanni Rovetta, Ecco la musica | D Minor | 1 | 7A | 77 BPM |