Ricardo S Costa, Elisa Addor's ' "Deixa Prá Depois" was released on its scheduled release date, 2011. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 9 in Banzé by Ricardo S Costa. In terms of popularity, Deixa Prá Depois is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Deixa Prá Depois by Ricardo S Costa, Elisa Addor is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Estrela na Janela | tabitrolo | E Minor | 5 | 9A | 85 BPM | ||
| Anjo Exterminado | Jards Macalé, Adriana Calcanhotto | B Minor | 4 | 10A | 100 BPM | ||
| Turbilaho | Paula Sergio | E Minor | 3 | 9A | 93 BPM | ||
| Sei Lá Mangueira | Maria Bethânia | A Major | 2 | 11B | 160 BPM | ||
| Admiração | Paulinho Moska | A Major | 3 | 11B | 116 BPM | ||
| Toque de Santa Maria | Paulo Cesar Pinheiro | G Major | 4 | 9B | 133 BPM | ||
| Ninguém é perfeito | Jorge Aragão | A♭ Minor | 6 | 1A | 158 BPM | ||
| Rebento | Gilberto Gil | G Major | 1 | 9B | 144 BPM | ||
| ...E o Mundo Não Se Acabou | Carmen Miranda | B♭ Major | 7 | 6B | 172 BPM | ||
| Florindo | Mariana Aydar | D♭ Major | 4 | 3B | 88 BPM | ||
| Estrela-Guia | Ricardo S Costa, Eliane Sarmento Costa | D Minor | 6 | 7A | 93 BPM | ||
| Santo e Orixá | Gloria Bomfim | G Minor | 3 | 6A | 144 BPM | ||
| Falando de Amor | Leoni | F Minor | 3 | 4A | 81 BPM | ||
| Também Pede Bis | Pedro Miranda | F Major | 3 | 7B | 156 BPM | ||
| Baile no Bola | Pedro Paulo Malta, Alfredo del Penho | E Minor | 4 | 9A | 163 BPM | ||
| A Cidade do Samba | Plinio PB | G Major | 6 | 9B | 110 BPM | ||
| Corpitcho | Maria Rita | F Minor | 6 | 4A | 168 BPM | ||
| Confesso | Eduardo Gudin, Vânia Bastos | A Minor | 5 | 8A | 85 BPM | ||
| Maioria Sem Nenhum / Citação Poema: Como Eu Quero Ser Lembrado | Vidal Assis | C Major | 3 | 8B | 102 BPM | ||
| Batucadinho | Fabiana Cozza | B Major | 5 | 1B | 75 BPM | ||
| Doce Mar | Ricardo S Costa, Nina Rosa | E Major | 5 | 12B | 93 BPM | ||
| E Vamos À Luta | Gonzaguinha, Zeca Pagodinho | F Minor | 7 | 4A | 115 BPM | ||
| Samba Gerais | Felipe Bedetti | E Major | 5 | 12B | 99 BPM | ||
| Tarde em itapuã | Toquinho, Vinícius de Moraes, Ophélie Gaillard, Romain Lécuyer | F Minor | 5 | 4A | 160 BPM | ||
| Pé de Rosa | Alceu Valença | A♭ Major | 3 | 4B | 98 BPM |