"Move Bitch" by Designer Disguise, Wow That's What I Call Metalcore had its release date on February 16, 2024. Move Bitch is considered explicit and may contain foul language. This song is about 3 minutes and 19 seconds, which is about the average length of a typical song. The track order of this song in Designer Disguise, Wow That's What I Call Metalcore's "I Want It That Way" album is number 7 out of 7. The popularity of Move Bitch is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Move Bitch by Designer Disguise, Wow That's What I Call Metalcore to be Presto (very, very fast) because the track has a tempo of 178 BPM, a half-time of 89BPM, and a double-time of 356 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fading From Misery | 2 Shadows | F Minor | 9 | 4A | 90 BPM | ||
| Thank You, Again (feat. Phil Bozeman) | Spite, Phil Bozeman | B♭ Minor | 10 | 3A | 146 BPM | ||
| Persona Non Grata | Emmure | F♯ Major | 9 | 2B | 133 BPM | ||
| So I Set Myself On Fire | Dead Icarus | F♯ Major | 9 | 2B | 95 BPM | ||
| Lies | Sky Lighthouse | E Minor | 9 | 9A | 100 BPM | ||
| Call of Anthemoessa | Reverse the Hollowing | B♭ Minor | 7 | 3A | 91 BPM | ||
| The Sound of Silence 3: Three | Sail's End | A♭ Major | 10 | 4B | 104 BPM | ||
| Tower of Torsos | Signs of the Swarm | A♭ Major | 10 | 4B | 110 BPM | ||
| Eyes Closed | Let Me Bleed | C Minor | 10 | 5A | 113 BPM | ||
| Father Hog | Gorepig | A Major | 10 | 11B | 120 BPM | ||
| An Insatiable Hunger | Upon A Burning Body | E♭ Major | 10 | 5B | 110 BPM | ||
| Left To Loathe | Heists | A♭ Major | 10 | 4B | 101 BPM | ||
| Idgaf | Patient Sixty-Seven | G Major | 10 | 9B | 97 BPM | ||
| Earn It | The Ghost Inside | D♭ Major | 10 | 3B | 94 BPM | ||
| Lime Scene | Berried Alive | B Minor | 10 | 10A | 150 BPM | ||
| Break Stuff | The Weight of Atlas | G Major | 8 | 9B | 200 BPM | ||
| Hail the Queen (The Hive) | Monochromatic Black | D♭ Major | 10 | 3B | 113 BPM | ||
| Unholy Incarnate | Enda Vinera | D♭ Major | 9 | 3B | 87 BPM | ||
| Sail | DevilDriver | D Major | 9 | 10B | 95 BPM | ||
| Cut Your Tongue | Unhealthy While Unhinged, Justin Perry | C Major | 10 | 8B | 136 BPM | ||
| Cursed To Be Here | Miserys End, Jeremy St-Denis from Waste | C Major | 9 | 8B | 135 BPM | ||
| Pizza Homicide | Samurai Pizza Cats, Nico Sallach, Electric Callboy | D♭ Minor | 10 | 12A | 110 BPM | ||
| Turn Up | Terrorbyte | A Major | 9 | 11B | 140 BPM | ||
| Forevermore | Designer Disguise | B♭ Major | 10 | 6B | 147 BPM | ||
| Have A G.O.O.D. Day! | Samurai Pizza Cats, Emmy Mack | D Major | 9 | 10B | 108 BPM |