Emma Swift's 'I Contain Multitudes (Live)' had a release date set for December 9, 2020. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 11 in Blonde On The Tracks (Deluxe Edition) by Emma Swift. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. I Contain Multitudes (Live) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of I Contain Multitudes (Live) by Emma Swift is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nothing Good Can Come from This | Amy Speace | A Major | 3 | 11B | 86 BPM | ||
| Respond | Susanettroy | A♭ Major | 1 | 4B | 201 BPM | ||
| The Wilds | Suzie Ungerleider | A Major | 4 | 11B | 81 BPM | ||
| Fiction | Dominie Hooper | F Major | 2 | 7B | 137 BPM | ||
| Only Lie Worth Telling (feat. Daniel Tashian) | Kathleen Edwards, Daniel Tashian | F♯ Major | 5 | 2B | 166 BPM | ||
| Light Years | Ford Turrell, Kim Turrell, Jedd Hughes, Sam Corey | F♯ Major | 3 | 2B | 124 BPM | ||
| Wind's Gonna Find a Way | Kris Delmhorst | A Minor | 3 | 8A | 133 BPM | ||
| Traveling After Dark | Aaron Lee Tasjan | E Major | 7 | 12B | 97 BPM | ||
| A Hard Rain's A-Gonna Fall | Heather Maloney | G Major | 5 | 9B | 63 BPM | ||
| Still Waters | Kimberly Morgan York | C Major | 2 | 8B | 123 BPM | ||
| I Remember Everything | The Audreys, Ryan Martin John | C Major | 1 | 8B | 98 BPM | ||
| It's a Good Day to Be Alive | Chuck Prophet | E Major | 3 | 12B | 106 BPM | ||
| Don't Worry You Got Time | Emily Lubitz | B Major | 4 | 1B | 168 BPM | ||
| To Ramona | Courtney Marie Andrews | F Major | 2 | 7B | 167 BPM | ||
| Mandolin Wind | Amy Helm | F Major | 5 | 7B | 137 BPM | ||
| Bluebird (with Margo Price) | Dillon Warnek | B♭ Major | 2 | 6B | 85 BPM | ||
| Hail the Fighter | Hannah White | A Minor | 3 | 8A | 136 BPM | ||
| Room | Mike Reid, Joe Henry | E♭ Major | 2 | 5B | 97 BPM | ||
| Overcome | Arum Rae | B♭ Major | 3 | 6B | 117 BPM | ||
| A Way It Goes | Amanda Shires | A♭ Major | 5 | 4B | 95 BPM | ||
| Going Where The Lonely Go | Emma Swift | D Major | 1 | 10B | 134 BPM | ||
| Burlap String | Courtney Marie Andrews | D Major | 3 | 10B | 89 BPM | ||
| Take The Cake | Kim Richey | F Major | 2 | 7B | 129 BPM | ||
| Dark Enough to See the Stars | Mary Gauthier | G Major | 4 | 9B | 72 BPM | ||
| Last Of The Hobo Kings | Mary Gauthier | D♭ Major | 5 | 3B | 83 BPM |