On December 31, 1949, the song "Puvi Raja" was released by M. L. Vasanthakumari, Thiruchi Loganathan, Kannadasan. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Puvi Raja's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in C. R. Subburaman, M.S.Subbaiah Naidu, Kannadasan's "Kanniyin Kathali (Original Motion Picture Soundtrack)" album is number 2 out of 11. On top of that, India appears to be the country where this track was created. Puvi Raja is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Puvi Raja by M. L. Vasanthakumari, Thiruchi Loganathan, Kannadasan to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Guru Raghava | Parupalli Sri Ranganath | C Minor | 5 | 5A | 79 BPM | ||
| Vanga Ellorumey | Nagore E.M. Haniffa | F♯ Major | 7 | 2B | 116 BPM | ||
| Velavaniku Muthavane | Sirkazhi Govindarajan | G Minor | 4 | 6A | 146 BPM | ||
| Indiresha Govinda | Sri Ganapathy Sachchidananda Swamiji | D♭ Major | 7 | 3B | 112 BPM | ||
| Malligai Poo Kaathilile | Ilaiyaraaja, S. P. Sailaja | A Major | 5 | 11B | 75 BPM | ||
| Yeppo Varuvaro - Jonpuri - Adi | Ranjani-Gayatri | G Minor | 6 | 6A | 97 BPM | ||
| Kereya Niranu | Purandara Dasara Bhakta Bandugalu | C Major | 5 | 8B | 145 BPM | ||
| Paar Magale | M. S. Viswanathan | G Major | 3 | 9B | 109 BPM | ||
| Enu Punyava Maadi | Roopa Shree H S | B♭ Minor | 6 | 3A | 129 BPM | ||
| Kallu Sakkare Kolliro | Dr.Rajkumar | A♭ Major | 6 | 4B | 99 BPM | ||
| Pullinvaai Keendanai | M. L. Vasanthakumari | E♭ Major | 4 | 5B | 84 BPM | ||
| Mazhai Kodukkum | Sirkazhi Govindarajan | G Major | 3 | 9B | 84 BPM | ||
| Thuyilaadha Penn | A. M. Rajah, P. Susheela | D Major | 5 | 10B | 80 BPM | ||
| Adhalavidala | Baladesikan | E Major | 7 | 12B | 115 BPM | ||
| Bandanene Ranga | Purandara Dasara Bhakta Bandugalu | G Major | 7 | 9B | 156 BPM | ||
| Pagai Kadithal | Veeramanidasan | G Major | 7 | 9B | 171 BPM | ||
| Bhramma Mahavishnu | Harish | G Major | 7 | 9B | 103 BPM | ||
| Ponnaar Thiruvadikku | Pa. Sargurunathan | F♯ Major | 5 | 2B | 145 BPM | ||
| Akkalkoti Bhandara | Ajit Kadkade | G Major | 7 | 9B | 111 BPM | ||
| Vak Rathundaya | V. Ramakrishna, S. P. Sailaja | A♭ Major | 4 | 4B | 75 BPM | ||
| Naaranar Enum | Pithukuli Murugadas | C Minor | 5 | 5A | 115 BPM | ||
| Neene Parama Pavani | Roopa Shree H S | A♭ Major | 3 | 4B | 163 BPM | ||
| Poothu Nikkudhu | Jency Anthony, Malaysia Vasudevan | D Major | 8 | 10B | 142 BPM | ||
| Kadalli Banda Ayyappa | Rajkumar | F♯ Major | 7 | 2B | 90 BPM | ||
| Guruvaara Munjaane | Ratnamala Prakash | A♭ Major | 3 | 4B | 177 BPM |