"Wiegenlied, Op.49, No.4" by Marisa Robles had its release date on October 30, 2015. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Wiegenlied, Op.49, No.4's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 48 in Funiculi Funicula Vol. 3 by Various Artists. In terms of popularity, Wiegenlied, Op.49, No.4 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Wiegenlied, Op.49, No.4 by Marisa Robles is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| Chanson de Matin, Op. 15 No. 2 | Donald Sosin, Edward Elgar, Nora Shulman, Judy Loman | B♭ Major | 1 | 6B | 134 BPM | ||
| Harp Concerto in A Major: III. Rondo. Allegretto | Carl Ditters von Dittersdorf, Andrea Vigh, Budapest Strings, Karoly Botvay | A Major | 2 | 11B | 142 BPM | ||
| Sonata for Violin & Harp, Op. 113 (Version for Flute & Harp): II. Adagio | Louis Spohr, András Adorján, Marielle Nordmann | A Major | 1 | 11B | 72 BPM | ||
| Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060 - Reconstruction For Oboe, Violin, Strings & Continuo: I. Allegro | Johann Sebastian Bach, Lisa Batiashvili, François Leleux, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc | G Major | 1 | 9B | 122 BPM | ||
| Concerto for Flute and 2 Violins in G Major: I. Spiritoso | Giovanni Battista Pergolesi, Raffaele Trevisani, Moscow Chamber Orchestra, Constantine Orbelian | G Major | 2 | 9B | 104 BPM | ||
| Flute Concerto in G Major: I. Allegro non molto | Giuseppe Tartini, Per Oien, Norwegian Chamber Orchestra | G Major | 1 | 9B | 92 BPM | ||
| Septet in E-Flat Major, Op. 20: III. Tempo di menuetto | Ludwig van Beethoven, József Balogh, Jozsef Vajda, Jeno Kevehazi, Ildiko Hegyi, Gyözö Máthé, Péter Szabó, Istvan Toth | E♭ Major | 1 | 5B | 120 BPM | ||
| Grand Concerto for Bassoon and Orchestra in F: 3. Rondo (Vivace) | Johann Nepomuk Hummel, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 120 BPM | ||
| Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
| Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Lobgesang": Ib. Allegretto un poco agitato | Felix Mendelssohn, NDR Radiophilharmonie, Andrew Manze | G Minor | 0 | 6A | 109 BPM | ||
| Sinding / Arr Sitt : Rustle of Spring | Christian Sinding, The Norwegian Radio Orchestra, Ari Rasilainen | F Minor | 2 | 4A | 90 BPM | ||
| Viola Concerto in C Minor: I. Allegro molto ma maestoso | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | C Minor | 2 | 5A | 96 BPM | ||
| Antiche danze ed arie per liuto, Suite No. 1, P. 109: I. Balletto detto "Il Conte Orlando" | Ottorino Respighi, Munich Radio Orchestra, Henry Raudales | D♭ Major | 1 | 3B | 134 BPM | ||
| Overtures For 2 Horns, 2 Oboes And Strings / Overture No. 2 In A: 2. Andante | Josef Mysliveček, Concerto Köln, Werner Ehrhardt | B Minor | 0 | 10A | 101 BPM | ||
| Mazurka No. 7 in F Minor, Op. 7 No. 3 (Transcr. Robles for Harp) | Frédéric Chopin, Marisa Robles | A Minor | 0 | 8A | 108 BPM | ||
| Pur ti Miro from "L'incoronazione di Poppea" | Claudio Monteverdi, Joshua Bell, Michael Stern, Jacob Heringman, John Constable, Stephen Orton, Academy of St. Martin in the Fields | A Major | 0 | 11B | 95 BPM | ||
| Keyboard Concerto in F Major, Hob. XVIII:3: II. Largo cantabile | Joseph Haydn, Sebastian Knauer, Kolner Kammerorchester, Helmut Müller-Brühl | F♯ Minor | 3 | 11A | 178 BPM | ||
| Carmen Suite No. 1: Intermezzo | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 80 BPM | ||
| Violin Concerto No. 4 in D Major: IIi. Rondeau Allegretto | Chevalier J.J.O. De Meude-Monpas, Rachel Barton Pine, Encore Chamber Orchestra | D Major | 1 | 10B | 139 BPM | ||
| Oboe Concerto in D Minor, Op. 9 No. 2: 2. Adagio | Diana Doherty | B♭ Major | 1 | 6B | 63 BPM | ||
| Ave, Verum Corpus, K. 618 | Wolfgang Amadeus Mozart, Adelaide Symphony Orchestra, Alan Smith, Dawn Forster, Jennifer Newman, Ron Spigelman, Sherrilyn Handley | A Major | 0 | 11B | 137 BPM | ||
| Symphony in B-Flat Major, F. 30: II. Andante | Josef Mysliveček, Matthias Bamert, London Mozart Players | D Major | 1 | 10B | 150 BPM | ||
| Concerto for Harp and Orchestra in C: 2. Andante lento | François-Adrien Boieldieu, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | C Major | 1 | 8B | 93 BPM | ||
| Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM |