Mischa Spoliansky, Paul Robeson, New Mayfair Chorus, New Mayfair Orchestra, Clifford Greenwood's 'Climbin' Up' had a release date set for April 15, 2002. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "Robeson, Paul: Roll Away Clouds (1928-1937)". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Hong Kong. Climbin' Up is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Climbin' Up by Mischa Spoliansky, Paul Robeson, New Mayfair Chorus, New Mayfair Orchestra, Clifford Greenwood having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Der Novak lässt mich nicht verkommen | Cissy Kraner | F Minor | 1 | 4A | 83 BPM | ||
| Die Moritat von Mackie Messer (From "Die Dreigroschenoper") | Lotte Lenya, Roger Bean Orchestra | F♯ Minor | 4 | 11A | 153 BPM | ||
| Oh ja - oh nein | Evelyn Künneke | G Minor | 3 | 6A | 98 BPM | ||
| Ich bin eine Frau von Format | Trude Herr | E♭ Major | 6 | 5B | 99 BPM | ||
| Es gibt nur ein Berlin | Claire Waldoff | D♭ Major | 4 | 3B | 120 BPM | ||
| Junger dunkler Herr sucht Anschluss (From "Alles Schwindel") | Mischa Spoliansky, Leo Monosson, Marek Weber, Marek Weber Dance Orchestra | G Major | 4 | 9B | 77 BPM | ||
| Toccatina (From "Saint Joan") | George Thalben-Ball, Mischa Spoliansky | A Minor | 1 | 8A | 71 BPM | ||
| Pathétique, Op. 74: I. Adagio-Allegro non troppo | Thomas Gansch, Herbert Pixner, Manu Delago, Lukas Kranzelbinder, radio.string.quartett | G Major | 3 | 9B | 66 BPM | ||
| Ich bin für die Treue nicht gestrickt (feat. Helen Schneider) | Hannelore Lay, Helen Schneider | F♯ Major | 5 | 2B | 110 BPM | ||
| Prelude No.11 in F [The Well-Tempered Clavier - 2nd Book BWV 880] | The Swingle Singers | A♭ Major | 1 | 4B | 136 BPM | ||
| L'Heure bleue | Mischa Spoliansky, Argentinische Tangokapelle | B♭ Major | 2 | 6B | 173 BPM | ||
| Surabaya-Johnny | Lotte Lenya | F Minor | 2 | 4A | 124 BPM | ||
| Surabaya Johnny | Dagmar Krause | B Minor | 1 | 10A | 128 BPM | ||
| The Little Rose, Oh How Should It Be Listed? | Stefanie Schlesinger, Wolfgang Lackerschmid, Mark Soskin, Jay Anderson, Adam Nussbaum, Bertolt Brecht | A♭ Major | 1 | 4B | 100 BPM | ||
| Da geh' ich ins Maxim | Johannes Heesters | D Major | 3 | 10B | 145 BPM | ||
| Puttin' On The Ritz | Ulrich Tukur & Die Rhythmus Boys | F Minor | 6 | 4A | 100 BPM | ||
| Wir fahren immer hin und her | Mischa Spoliansky, Paul Robeson, Patrice Munsel, Joseph Schmidt, Jan Kiepura, Bela Dajos, Studio chorus, Comedian Harmonists, London Film Orchestra, Gordon Jenkins Orchestra, Mischa Spoliansky Revue Orchestra, Queen's Hall Light Orchestra, Studio orchestra, Marek Weber Orch | E Major | 3 | 12B | 123 BPM | ||
| An die Musik, Op. 88, No. 4, D. 547 | Elisabeth Schwarzkopf | D Major | 0 | 10B | 78 BPM | ||
| Wiegala | Ilse Weber, Anne Sofie von Otter, Bebe Risenfors | E Minor | 0 | 9A | 112 BPM | ||
| Pequeña Czarda (Arr. Harle) | Pedro Iturralde, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca | C Minor | 4 | 5A | 170 BPM | ||
| Du laß' dich nicht verhärten | Wolf Biermann | F♯ Major | 8 | 2B | 62 BPM | ||
| Davon geht die Welt nicht unter | Bruno Balz, Michael Gesell, Kurt Schwabach, Michael Jary, Hans Schachner, Peter Fenyes, Hans Fritz Beckmann, Theo Mackeben, Ralph Maria Siegel, Detlef Sierck, Lothar Brühne, Ralph Benatzky, Hans Weigel, Cole Porter, Zarah Leander, Bavarian Radio Symphony Orchestra, Eugen Jochum | D Major | 1 | 10B | 102 BPM | ||
| Das Wandern | Franz Schubert, Franui, Florian Boesch | C Major | 3 | 8B | 110 BPM | ||
| Blutrote Rosen | Austin Egen, Marek Weber & Sein Orchester | E Minor | 3 | 9A | 108 BPM | ||
| It's all a swindle | Mischa Spoliansky, Ute Lemper, Matrix Ensemble, Jeff Cohen, Robert Ziegler | F Major | 3 | 7B | 123 BPM |