"土方の死 M-1C (8) - 「宇宙戦艦ヤマト2」使用BGM" by 宮川 泰, シンフォニック・オーケストラ・ヤマト had its release date on March 20, 2013. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. 土方の死 M-1C (8) - 「宇宙戦艦ヤマト2」使用BGM's duration is considered a little bit shorter than the average duration of a typical track. This song is part of YAMATO SOUND ALMANAC 1978-VI 宇宙戦艦ヤマト2 BGM集 Part2 by 宮川 泰, シンフォニック・オーケストラ・ヤマト. The song's track number on the album is #19 out of 44 tracks. Based on our data, Japan was the country where this track was produced or recorded. 土方の死 M-1C (8) - 「宇宙戦艦ヤマト2」使用BGM is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 土方の死 M-1C (8) - 「宇宙戦艦ヤマト2」使用BGM by 宮川 泰, シンフォニック・オーケストラ・ヤマト has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With 土方の死 M-1C (8) - 「宇宙戦艦ヤマト2」使用BGM being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Expedition | Barry Gray | D Major | 8 | 10B | 124 BPM | ||
| ガミラス艦隊の戦い | Akira Miyagawa | A Minor | 2 | 8A | 142 BPM | ||
| ズームイン朝OP(ズームイン朝) ORIGINAL COVER | NIYARI計画 | A♭ Major | 5 | 4B | 123 BPM | ||
| おんな太閤記 - 2024 Live Version | キンボー・イシイ, NHK Symphony Orchestra | E Minor | 0 | 9A | 125 BPM | ||
| 天使の絵の具 | The Orchestral Mari'n, Katsuhisa Hattori, Mari Iijima | D Major | 5 | 10B | 120 BPM | ||
| Gメン'75 | Shunsuke Kikuchi, Siena Wind Orchestra | G Minor | 4 | 6A | 109 BPM | ||
| Cavalleria rusticana: Intermezzo | Pietro Mascagni, Prague Chamber Orchestra, Bretislav Novotny | G Major | 1 | 9B | 79 BPM | ||
| 花神 - 2024 Live Version | キンボー・イシイ, NHK Symphony Orchestra | A Major | 2 | 11B | 96 BPM | ||
| ゲゲゲの鬼太郎のテーマ ORIGINAL COVER INST Ver. | NIYARI計画 | F Major | 9 | 7B | 142 BPM | ||
| 世界ふしぎ発見オープニングテーマ ORIGINAL COVER INST.Ver | NIYARI計画 | C Major | 4 | 8B | 80 BPM | ||
| 新コスモタイガー - 「宇宙戦艦ヤマト 新たなる旅立ち」使用BGM | 宮川 泰, シンフォニック・オーケストラ・ヤマト | A Minor | 1 | 8A | 114 BPM | ||
| ガルマンガミラスの戦い | 宮川 泰, シンフォニック・オーケストラ・ヤマト | E♭ Major | 6 | 5B | 136 BPM | ||
| うめええっ! | Utatanekana | G Major | 4 | 9B | 105 BPM | ||
| マツケンサンバ II | Akira Miyagawa, Osaka Philharmonic Orchestra | B♭ Major | 9 | 6B | 129 BPM | ||
| 不安 | 渡辺岳夫 | E Minor | 2 | 9A | 172 BPM | ||
| 戦え! ウルトラマンA | Toru Fuyuki | C Major | 4 | 8B | 118 BPM | ||
| 大脱走のマーチ | Various Artists | B♭ Major | 3 | 6B | 117 BPM | ||
| 犬夜叉幻想 - Instrumental | Japan Philharmonic Orchestra | F Major | 5 | 7B | 137 BPM | ||
| Gran-Arena | Falcom Sound Team jdk | A Major | 2 | 11B | 162 BPM | ||
| パリの空の下 | ピエール・ポルト | E Minor | 4 | 9A | 110 BPM | ||
| Capturing Arrows with Boats of Straw (Live) | Jing Xian, Shen Yun Symphony Orchestra, Milen Nachev | A Minor | 3 | 8A | 79 BPM | ||
| ウルトラセブン・勝利の時 | Toru Fuyuki | F Major | 5 | 7B | 126 BPM | ||
| ゴッドファーザー愛のテーマ | Sam Taylor | C Minor | 3 | 5A | 143 BPM | ||
| El Becerrito | Orquesta Sinfónica Venezuela | C Minor | 7 | 5A | 90 BPM | ||
| 戦場を疾風のように | 渡辺岳夫 | D Major | 8 | 10B | 154 BPM |