On September 2, 2010, the song "Pierre's" was released by John Hunter, Jr., Jonathan Slott, Nicholas Seeley. With This song being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 20 in FX In The Mix - Redux by John Hunter, Jr., Jonathan Slott. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Pierre's's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Pierre's by John Hunter, Jr., Jonathan Slott, Nicholas Seeley is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Your Caresses | kensy Mansk | F♯ Major | 2 | 2B | 110 BPM | ||
| Paradoja | Lenn Mar | A♭ Major | 9 | 4B | 144 BPM | ||
| Bleak | Revolt Production Music | C Minor | 2 | 5A | 73 BPM | ||
| Illumination | James Driscoll, John Hunter, Jr., Jonathan Slott | D Major | 6 | 10B | 124 BPM | ||
| Trionfo | Bulruk | A Minor | 5 | 8A | 100 BPM | ||
| Our Way | Roman P | C Major | 4 | 8B | 110 BPM | ||
| Sacrificing Everything | Saltonbria | A♭ Major | 6 | 4B | 120 BPM | ||
| Eclisse | Sagrifizio | G Major | 5 | 9B | 80 BPM | ||
| Redemption Nears | John Hunter, Jr., Jonathan Slott | C Major | 8 | 8B | 78 BPM | ||
| Storm Rolling Through | Brian Flores, Jonathan Slott, Marlon Gibbons, John Hunter, Jr. | G Major | 3 | 9B | 100 BPM | ||
| Clean The Closet | James J Henderson, Jonathan Slott, John Hunter, Jr. | C Major | 5 | 8B | 124 BPM | ||
| Natura Ultraterrena | Sagrifizio | G Major | 6 | 9B | 100 BPM | ||
| The Church | Ricardo Morjona | F Major | 4 | 7B | 160 BPM | ||
| Aliens Attack | Kamreno | F♯ Major | 4 | 2B | 105 BPM | ||
| Common Pavement | Brian Flores, James J Henderson, John Hunter, Jr., Jonathan Slott | D Major | 9 | 10B | 120 BPM | ||
| New Land | Ian Post | C Minor | 5 | 5A | 139 BPM | ||
| Contact High | Brian Flores, John Hunter, Jr., Jonathan Slott | B♭ Major | 3 | 6B | 150 BPM | ||
| Altered Carbon | Context Sensitive | D♭ Minor | 4 | 12A | 126 BPM | ||
| A Tener En Cuenta | Asklepios | C Minor | 1 | 5A | 110 BPM | ||
| The Last Moments | Andre Albrecht | G Minor | 1 | 6A | 80 BPM | ||
| La Segunda En La Frente | Asklepios | F Major | 0 | 7B | 82 BPM | ||
| Signal to Noise | Hampus Naeselius | D Minor | 3 | 7A | 170 BPM | ||
| Worlds Beyond Our Senses | Paul Haslinger | A Minor | 5 | 8A | 80 BPM | ||
| Sweet Nothings | Ricardo Morjona | F Major | 4 | 7B | 160 BPM | ||
| Fair Winds and Following Seas | Golden Anchor | F Minor | 6 | 4A | 154 BPM |