On December 29, 2016, the song "Ankiya Ho Rahi Laal" was released by Sanju Sharma. This song appears to be safe for all ages as it is not explicit. The track order of this song in Sanju Sharma's "Lo Fagun Aaya Re" album is number 2 out of 7. On top of that, France appears to be the country where this track was created. In terms of popularity, Ankiya Ho Rahi Laal is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Ankiya Ho Rahi Laal by Sanju Sharma to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chitrakut Ke Ghat Ghat Par | Devendra Pathak | D Major | 6 | 10B | 128 BPM | ||
| Kishori Ladli Shyama | Sadhvi Purnima Ji | B♭ Minor | 6 | 3A | 146 BPM | ||
| Nath Main Tharoji Tharo | Radha Krishna Maharaj | A♭ Major | 7 | 4B | 127 BPM | ||
| Sunle O Saanwariya | Sanju Sharma | D♭ Minor | 8 | 12A | 82 BPM | ||
| Bhukhal Piyasahal Ghatiya Ayiel Bani | Pawan Singh | B♭ Minor | 5 | 3A | 120 BPM | ||
| Har Gyaras Ko | Brijraj Singh Lakkha | D Minor | 8 | 7A | 80 BPM | ||
| Man Chal Vrindavan Chal Ve Mana | Hita Ambrish | B Major | 7 | 1B | 145 BPM | ||
| Gal Mukni Nai Par Yaar Teri | Lucky Noor, Sant Nirankari Mission | E Major | 6 | 12B | 146 BPM | ||
| Tere Dar Ko Main Chhod Kahaan Jaun | Ram Kumar Lakkha | C Minor | 9 | 5A | 95 BPM | ||
| Kaisa Pyara ye Darbar hai | Mayank Agarwal | A♭ Major | 8 | 4B | 91 BPM | ||
| Dori Khech Ke Rakhijo Ye Hai Baba Ko Nishan | Deepu Sharma | F♯ Minor | 8 | 11A | 130 BPM | ||
| Machhli Viyani Dariya Na Bet | Hari Bharwad | G Minor | 8 | 6A | 105 BPM | ||
| Hansa Sundar Kaya Ro | Prakash Mali | A♭ Major | 8 | 4B | 82 BPM | ||
| Shyam to Prem ke bhukhe hai | Mayank Agarwal | F Major | 7 | 7B | 75 BPM | ||
| Ghar Main Padharo | Aakanksha Jachak | B♭ Major | 7 | 6B | 140 BPM | ||
| Khatu Jaana Hai | Raj Pareek | B♭ Major | 8 | 6B | 145 BPM | ||
| Naseebo Se Zyaada | Raj Pareek | E♭ Major | 5 | 5B | 178 BPM | ||
| Swarg Se Sundar | Vaibhav | B♭ Minor | 7 | 3A | 142 BPM | ||
| Darshan Dejo Re Vahala Shrinathji | Nitin Devka, Nidhi Dholkiya | F♯ Major | 5 | 2B | 155 BPM | ||
| Meera Rani Diwani Hui Shyam Ki | Anup Jalota | F Minor | 7 | 4A | 125 BPM | ||
| Sheelvant Sadhu Ne | Hari Bharwad | B♭ Minor | 4 | 3A | 78 BPM | ||
| Deenanath Meri Baat | Lakhbir Singh Lakha | D Major | 7 | 10B | 86 BPM | ||
| Baba Itna Bata - Khatu Shyam Bhajan | Anjali Dwivedi | F Major | 10 | 7B | 130 BPM | ||
| Sab Jhumo Naacho - Shyam Bhajan | Ajay Sharma | C Major | 9 | 8B | 100 BPM | ||
| Chalo Aiyo Re Shyam Mere Palkan Pe | Acharya Mridul Krishna Goswami | F♯ Major | 8 | 2B | 99 BPM |