Percy Grainger, Royal Norwegian Navy Band, Bjarte Engeset's 'Molly on the Shore, BFMS 23 (Version for Wind Ensemble)' had a release date set for January 12, 2018. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Percy Grainger, Royal Norwegian Navy Band, Bjarte Engeset's "Grainger: Complete Music for Wind Band, Vol. 1" album is number 1 out of 15. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Molly on the Shore, BFMS 23 (Version for Wind Ensemble)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Molly on the Shore, BFMS 23 (Version for Wind Ensemble) by Percy Grainger, Royal Norwegian Navy Band, Bjarte Engeset to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Australian Up-Country Tune (Arr. G.C. Bainum) | Percy Grainger, North Texas Wind Symphony, Eugene Migliaro Corporon | C Minor | 2 | 5A | 116 BPM | ||
| Second Suite in F Major, Op. 28 No. 2, H. 106: I. March | Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon | C Minor | 0 | 5A | 67 BPM | ||
| Suite of Old American Dances: IV. Wallflower Waltz | Robert Russell Bennett, Lone Star Wind Orchestra, Eugene Migliaro Corporon | E♭ Major | 1 | 5B | 69 BPM | ||
| Molly on the Shore | Percy Grainger, TMEA All-State String Orchestra, James Kjelland | G Major | 3 | 9B | 87 BPM | ||
| V. Lord Melbourne | Percy Grainger, North Texas Wind Symphony, Eugene Migliaro Corporon | B♭ Major | 2 | 6B | 130 BPM | ||
| Japanese Suite, Op. 33, H. 126: VI. Finale. Dance of the Wolves | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 3 | 5A | 103 BPM | ||
| Wine-Dark Sea (Symphony for Band): II. Immortal Thread, So Weak | John Mackey, The University of Texas Wind Ensemble, Jerry Junkin | B♭ Minor | 0 | 3A | 136 BPM | ||
| American Overture for Band | US Marine Band | F Major | 0 | 7B | 128 BPM | ||
| Chorale and Shaker Dance | John P. Zdechlik, Concordia University Chicago Wind Symphony, Richard R. Fischer | B♭ Major | 3 | 6B | 141 BPM | ||
| Symphony No. 3 "Slavyanskaya": II. Waltz | Boris Tikhonovich Kozhevnikov, North Texas Wind Symphony, Eugene Migliaro Corporon | G Minor | 1 | 6A | 70 BPM | ||
| English Folk Song Suite: 2. Intermezzo: My Bonny Boy | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 0 | 5A | 64 BPM | ||
| Fandango (Arr. F. Werle) | Frank Perkins, Dallas Wind Symphony, Howard Dunn | D Major | 6 | 10B | 110 BPM | ||
| Wine-Dark Sea (Symphony for Band): III. The Attentions of Souls | John Mackey, The University of Texas Wind Ensemble, Jerry Junkin | A Minor | 1 | 8A | 70 BPM | ||
| Hymn to a Blue Hour | John Mackey, North Texas Wind Symphony, Eugene Migliaro Corporon | A Minor | 1 | 8A | 70 BPM | ||
| Courtly Airs and Dances: VI. Allemande | Ron Nelson, Dallas Wind Symphony, Jerry Junkin | E Minor | 0 | 9A | 71 BPM | ||
| Cajun Folk Songs, Pt. 1: No. 1, La belle et le capitaine | Frank Ticheli, North Texas Wind Symphony, Eugene Migliaro Corporon | E♭ Major | 2 | 5B | 70 BPM | ||
| On the Shoulders of Giants: I. Fanfares | Peter Graham, Black Dyke Band, Nicholas Childs | G Major | 3 | 9B | 104 BPM | ||
| Lyric Suite, Op. 54: I. Gjaetergut (Shepherd Boy) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | E Minor | 0 | 9A | 160 BPM | ||
| II. Song Without Words: "I'll Love My Love"; Andante (Second Suite in F for Military Band) | Air Combat Command Heritage Of America Band | C Minor | 0 | 5A | 73 BPM | ||
| 1st Suite in E-Flat Major, Op. 28 No. 1, H. 105: I. Chaconne | Gustav Holst, Showa Wind Symphony, Eugene Migliaro Corporon | D♭ Major | 1 | 3B | 74 BPM | ||
| The Ascension From The Divine Comedy | Banda Amizade - Banda Sinfónica de Aveiro, Carlos Marques | D Minor | 2 | 7A | 96 BPM | ||
| Come Sunday: II. Shout! (Live) | Omar Thomas, Baylor University Wind Ensemble, Eric Wilson | B♭ Major | 0 | 6B | 128 BPM | ||
| Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): V. Dance of the Tumblers | Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop | G Minor | 1 | 6A | 69 BPM | ||
| Dusk | Steven Bryant, University of Kansas Wind Ensemble, Scott Weiss | C Major | 1 | 8B | 79 BPM | ||
| With Heart and Voice | David R. Gillingham, University of North Texas Symphonic Band, Dennis Fisher | D Minor | 0 | 7A | 71 BPM |