"The Stars and the Moon" by Marcelo Zarvos had its release date on January 31, 2020. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. The Stars and the Moon's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "The Choice (Original Soundtrack Album)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Based on our statistics, The Stars and the Moon's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Stars and the Moon by Marcelo Zarvos having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'm Nowhere | Philip Ekström | B♭ Major | 0 | 6B | 59 BPM | ||
| The Parking Lot | Score from the Motion Picture | C Major | 1 | 8B | 117 BPM | ||
| Ordinary Kid | Marcelo Zarvos | G Major | 2 | 9B | 127 BPM | ||
| City Walk | Herdís Stefánsdóttir | A Major | 3 | 11B | 166 BPM | ||
| The Mountain Between Us | Ramin Djawadi | G Minor | 2 | 6A | 140 BPM | ||
| Greenwich Kiss | Paul Saunderson | G Major | 2 | 9B | 142 BPM | ||
| Cambridge, 1963 | Jóhann Jóhannsson | B♭ Major | 1 | 6B | 83 BPM | ||
| Don't Let Go | Adam Taylor | B♭ Major | 1 | 6B | 180 BPM | ||
| Letters/The Moon | Deborah Lurie | D♭ Major | 2 | 3B | 116 BPM | ||
| By Daylight | Gavin Luke | B Major | 2 | 1B | 153 BPM | ||
| Ballycarbery Castle | Randy Edelman | G Major | 2 | 9B | 148 BPM | ||
| Midnight in the Garden | Atli Örvarsson | F Major | 1 | 7B | 107 BPM | ||
| Black Mountain | Mark Isham | D♭ Major | 2 | 3B | 57 BPM | ||
| Flashback | Henry Jackman | B Minor | 0 | 10A | 106 BPM | ||
| I Had to Imagine My Way Into Her Map | Ryan Lott | C Major | 1 | 8B | 132 BPM | ||
| Meeting Miriam | Carter Burwell | C Major | 2 | 8B | 67 BPM | ||
| Distant Lives (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Marcia Crayford, Gabrielle Lester | E♭ Major | 0 | 5B | 55 BPM | ||
| Red's Goodbye | Mark McKenzie | G Minor | 0 | 6A | 110 BPM | ||
| From the Heart | X-Ray Dog | C Major | 2 | 8B | 80 BPM | ||
| One Strange World | Antonio Pinto | A♭ Minor | 2 | 1A | 77 BPM | ||
| Melting/Loveless | Philip Ekström | D Major | 2 | 10B | 176 BPM | ||
| Everything Everything | Ludwig Göransson | C Major | 1 | 8B | 79 BPM | ||
| Coming Home | Alexandre Desplat | G Major | 2 | 9B | 77 BPM | ||
| If You Love Me | Blake Neely | A Minor | 0 | 8A | 120 BPM | ||
| A Paper Town for a Paper Girl | Ryan Lott | F Major | 1 | 7B | 171 BPM |