"Maximals vs. Predacons (Theme Suite)" by Alexander Bornstein had its release date on July 29, 2021. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Maximals vs. Predacons (Theme Suite)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Transformers: War For Cybertron Trilogy: Kingdom Original Anime Soundtrack". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. In terms of popularity, Maximals vs. Predacons (Theme Suite) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Maximals vs. Predacons (Theme Suite) by Alexander Bornstein having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Fortress of Solitude | Dan Romer | B Minor | 1 | 10A | 71 BPM | ||
| A Long Time Ago | Jongnic Bontemps | A♭ Major | 4 | 4B | 121 BPM | ||
| The Tutor | Alexander Bornstein | C Minor | 2 | 5A | 140 BPM | ||
| Warning Signal | Halo, Sean Callery, Colin Stetson | F♯ Minor | 7 | 11A | 130 BPM | ||
| Wolverine Theme (From "X-Men") - Epic Version | John G. Music | F Minor | 5 | 4A | 85 BPM | ||
| Iron Man Theme (From the Marvel Cinematic Universe) - Epic Version | John G. Music | D Major | 6 | 10B | 134 BPM | ||
| Rise of the Titans End Credits | The Crystal Method | C Major | 7 | 8B | 110 BPM | ||
| Desperate Escape | Junkie XL, Antonio Di Iorio | E Minor | 1 | 9A | 64 BPM | ||
| History of Transformers | Steve Jablonsky | G Minor | 3 | 6A | 113 BPM | ||
| Da Plane And Da Cycle | Michael Giacchino | B♭ Major | 2 | 6B | 66 BPM | ||
| Borjomi | Andy Maranell, Andy Mardan | B♭ Minor | 4 | 3A | 105 BPM | ||
| Tumbling / Will Blasts | Christopher Lennertz, Alexander Bornstein | D Major | 5 | 10B | 82 BPM | ||
| The Fire Temple - Stage (feat. Ari Mason) | Stephanie Economou, Ari Mason | F Minor | 9 | 4A | 100 BPM | ||
| Siege X | Henry Jackman | C Minor | 1 | 5A | 104 BPM | ||
| They Always Come Back | Brandon Campbell | G Minor | 1 | 6A | 169 BPM | ||
| Siege End Titles (Autobot Theme Reprise) | Alexander Bornstein, Transformers | A♭ Major | 9 | 4B | 172 BPM | ||
| Battle at Ellis Island | Jongnic Bontemps | G Minor | 7 | 6A | 100 BPM | ||
| Spray-On Triumph | Mark Mothersbaugh | F Major | 5 | 7B | 130 BPM | ||
| The Air Is Thin Up Here | Dan Romer | F Minor | 5 | 4A | 135 BPM | ||
| Introducing Flint | Mark Mothersbaugh | E Minor | 2 | 9A | 92 BPM | ||
| Titan Combat | Jeff Danna | E Minor | 4 | 9A | 84 BPM | ||
| Spider-Man Theme vs Doctor Strange Theme (Sling vs Bling) - Epic Version | Krutikov Music | C Minor | 8 | 5A | 90 BPM | ||
| Megatron Must Be Stopped - Parts 1 & 2 | Vince DiCola | A Major | 7 | 11B | 159 BPM | ||
| Steven | Behruz Nuriyev, Khan Ro | D♭ Major | 3 | 3B | 105 BPM | ||
| Divine and Glorious | Junkie XL, Antonio Di Iorio | E Minor | 1 | 9A | 64 BPM |