W. Cormack, Josef Locke's ' "Eileen O'Grady" was released on its scheduled release date, May 25, 2001. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Josef Locke's "Locke, Josef: Hear My Song, Violetta (1947-1950)" album is number 15 out of 17. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Eileen O'Grady is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Eileen O'Grady by W. Cormack, Josef Locke to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
The music key of this track is F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| L'Orfeo, SV 318, Act II: Tu se' morta | Claudio Monteverdi, Rolando Villazón, L'Arpeggiata, Christina Pluhar | F Minor | 3 | 4A | 110 BPM | ||
| Die Liebe Kommt, Die Liebe Geht | Comedian Harmonists | B♭ Minor | 0 | 3A | 85 BPM | ||
| Japanese Sandman: The Japanese Sandman | Richard A. Whiting, Nora Bayes, Charles A. Prince Orchestra | C Major | 0 | 8B | 71 BPM | ||
| Puppenhochzeit | Comedian Harmonists | A Major | 1 | 11B | 177 BPM | ||
| Ye Jacobites by Name | Ewan MacColl, Peggy Seeger | F Major | 5 | 7B | 132 BPM | ||
| The Mikado / Act 2: 34. There is beauty in the bellow of the blast | Arthur Sullivan, Lyndsie Holland, John Reed, Royal Philharmonic Orchestra, Royston Nash | E♭ Major | 3 | 5B | 104 BPM | ||
| Não Me Falaram de Cristo | Feliciano Amaral | D♭ Major | 0 | 3B | 103 BPM | ||
| Jeanie with the Light Brown Hair | Jan DeGaetani | F Major | 0 | 7B | 76 BPM | ||
| Ecce quan bonum (salmo 132) | Orfeón de Miravalles | A♭ Major | 2 | 4B | 82 BPM | ||
| Wish Me Luck (As You Wave Me Goodbye) | Gracie Fields | C Major | 6 | 8B | 122 BPM | ||
| Warlock: Captain Stratton's Fancy | Peter Warlock, Nina Walker, Robert Lloyd | A Major | 0 | 11B | 115 BPM | ||
| Emily — No Prisoner Be: No. 15, The Props assist the House | Kevin Puts, Time For Three, Joyce DiDonato | F Major | 5 | 7B | 103 BPM | ||
| Neujahrsgruß / New Year's Address / Allocution du Nouvel An | Not Applicable, Wiener Philharmoniker, Yannick Nézet-Séguin | F Major | 5 | 7B | 103 BPM | ||
| Blue Danube | Richard Tauber | D♭ Major | 3 | 3B | 171 BPM | ||
| Come to Me in My Dreams, H. 71 - Musical Moments | Frank Bridge, Theodore Platt, Keval Shah | F Major | 5 | 7B | 103 BPM | ||
| In nomine Jesu - Live at the Llangollen International Musical Eisteddfod, 1955 | Jacobus Gallus, Corale Gioachino Rossini, Livio Borri | E♭ Major | 1 | 5B | 80 BPM | ||
| Heil dir im Siegerkranz - Unofficial imperial German anthem | Heinrich Harries, Sound Souvenirs | A Major | 1 | 11B | 77 BPM | ||
| O'er Waiting Harpstrings Of The Mind | Susan Mack, Ellen Hanna | A♭ Major | 3 | 4B | 89 BPM | ||
| Count Your Blessings | Josef Locke | E♭ Major | 2 | 5B | 87 BPM | ||
| Si la Nieve Resvala - Remastered | Antonio Campó, Coro Cantores de Madrid, Orquesta de Conciertos de Madrid, Jose Perera, Julian Perera, Victoriano Echevarría | D Minor | 2 | 7A | 71 BPM | ||
| Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Heia, heia, in den Bergen ist mein Heimatland (Sylva - Boni - Feri - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonie-Orchester Graunke | C Minor | 5 | 5A | 91 BPM | ||
| Die Dreigroschenoper: Morgenchoral des Peachum | Kurt Weill, Rolf Boysen, Mario Adorf, Rias-Sinfonietta Berlin, John Mauceri | G Minor | 1 | 6A | 124 BPM | ||
| Peter and the Wolf, Op. 67: And Now This Is How Things Stood | Peter Ustinov, Herbert von Karajan, Philharmonia Orchestra | G Major | 0 | 9B | 99 BPM | ||
| Broken Souls | wangyaolong | F Major | 5 | 7B | 103 BPM | ||
| Ator, Ator Mutil: Canción a 5 Voces Mixtas - Remastered | Coro De Camara Del Orfeon Donostiarra, Juan Goróstidi | E♭ Major | 3 | 5B | 98 BPM |