"The Fall of Mother Base" by Harry Gregson-Williams had its release date on September 2, 2015. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "METAL GEAR SOLID Ⅴ ORIGINAL SOUNDTRACK SELECTION" album is number 8 out of 46. In terms of popularity, The Fall of Mother Base is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Fall of Mother Base by Harry Gregson-Williams to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 5/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| MAX KILL | HEALTH | F Minor | 9 | 4A | 135 BPM | ||
| Miserable Wretches | Kevin Riepl, Gears of War | F Major | 7 | 7B | 145 BPM | ||
| Nitrogen | Steve Henifin | F♯ Minor | 5 | 11A | 190 BPM | ||
| Chaos Approaches | Doyle W. Donehoo | A♭ Major | 7 | 4B | 115 BPM | ||
| Ragnarök | Bear McCreary | G Minor | 1 | 6A | 81 BPM | ||
| Escalation | Vanguard Sound, 赛博传媒-2064 | B♭ Major | 6 | 6B | 190 BPM | ||
| Takin' On The Shagohod | Norihiko Hibino | E♭ Minor | 8 | 2A | 130 BPM | ||
| Spies vs. Mercs | Kaveh Cohen, Michael Nielsen | D Major | 6 | 10B | 113 BPM | ||
| Surkesh | Christopher Lennertz | C Major | 5 | 8B | 94 BPM | ||
| The Whole World Is Burning | Bear McCreary | G Major | 3 | 9B | 152 BPM | ||
| Burnt Ivory King | Motoi Sakuraba | A Minor | 6 | 8A | 81 BPM | ||
| Yoritomo | Akihiro Manabe | B Major | 7 | 1B | 82 BPM | ||
| ”Two of them. One for each of us!” - El Gigante | 大本望美 | F♯ Major | 8 | 2B | 85 BPM | ||
| The Future - Main Titles | John Ottman, Jeffrey Schindler, American Federation of Musicians | D Major | 1 | 10B | 122 BPM | ||
| Blood-starved Beast | SIE Sound Team | A Minor | 7 | 8A | 150 BPM | ||
| Emergency Launch | Harry Gregson-Williams | D♭ Major | 3 | 3B | 96 BPM | ||
| Battlefield 2042 | Hildur Guðnadóttir, Sam Slater | B♭ Minor | 4 | 3A | 89 BPM | ||
| Screaming Mantis | Nobuko Toda, Shuichi Kobori, Akihiro Honda | B Major | 8 | 1B | 150 BPM | ||
| Episode End | Takeshi Miura | F♯ Major | 0 | 2B | 70 BPM | ||
| Tensions Rising | Michael McCann | F♯ Minor | 5 | 11A | 120 BPM | ||
| Ephyra Streets II | Kevin Riepl | B♭ Minor | 4 | 3A | 120 BPM | ||
| The Rain of Mourning | 大木優拓 | D♭ Major | 10 | 3B | 163 BPM | ||
| Neon Dawn | Jon Opstad, Paul Haslinger | B♭ Minor | 5 | 3A | 175 BPM | ||
| The Second Helghan March (Helghan Forever) | Joris de Man | F Major | 4 | 7B | 126 BPM | ||
| Project Long Shadow | Scott R. Morgan | F Major | 8 | 7B | 154 BPM |