On June 28, 2018, the song "Jasol Gadh Re Sovatiye" was released by Prakash Mali, Arjun Rao, Sarita Kharwal. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Prakash Mali, Arjun Rao, Sarita Kharwal's "Maa Kalyug Me Avatari" album is number 4 out of 6. On top of that, India appears to be the country where this track was created. Based on our statistics, Jasol Gadh Re Sovatiye's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Jasol Gadh Re Sovatiye by Prakash Mali, Arjun Rao, Sarita Kharwal to be Allegro (fast, quick, and bright) because the track has a tempo of 151 BPM, a half-time of 76BPM, and a double-time of 302 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jagdamba Ghar Mein Diyar | Poonam Mishra | B♭ Minor | 6 | 3A | 75 BPM | ||
| Sanwriyo Ghar Aawan Ki | Shyam Paliwal | F Minor | 9 | 4A | 79 BPM | ||
| Khamma Dhaniya Padharo Mhare | Gopal Bajaj | F Minor | 9 | 4A | 128 BPM | ||
| Maiya Mori Dulri | Bharat Sharma Vyas | E♭ Major | 7 | 5B | 109 BPM | ||
| Kaise Jiyu Mein Radha Rani Tere Bina | Poonam Didi | F♯ Major | 8 | 2B | 115 BPM | ||
| Jagdamba Rakho Laaj Sharan Main Thari Aayo | Narayan Nandwana | B♭ Minor | 9 | 3A | 75 BPM | ||
| Holi Khele Masane Mein | Lakhan Singh Lakkha | B Major | 9 | 1B | 140 BPM | ||
| Kanchan Si Kaya Manush Ki Pai Bundeli Chetavni Geet | Chandra Bhushan Pathak | D♭ Major | 8 | 3B | 107 BPM | ||
| Sathi Hamara Kaun Banega | Adhishta Anushka | B♭ Minor | 7 | 3A | 128 BPM | ||
| Ujjain Me Viraje Mahakal Pyare Pyare | Manish Tiwari | F♯ Minor | 9 | 11A | 84 BPM | ||
| Duniya Mein Datar Bahut Hain Dikhlate Datari | Upasana Mehta | F Minor | 9 | 4A | 134 BPM | ||
| Meri maa ke jaisa darbar nahi | Pooja Golhani | F♯ Major | 7 | 2B | 90 BPM | ||
| Tune Kino Julm Rang Daar | Sadhvi Purnima Ji | D♭ Minor | 7 | 12A | 126 BPM | ||
| Mhare Hivda Mein Nache Mor | Gopal Bajaj | E♭ Minor | 8 | 2A | 84 BPM | ||
| Meera KO Mando Moyo Re | Chunnilal, Prakash Mali, Moinuddin Manchala, Neta Nayak | A♭ Major | 9 | 4B | 104 BPM | ||
| Bhole Baba Ka Gulam Ho Gaya | Nitin Bagwan | F♯ Major | 8 | 2B | 160 BPM | ||
| Mara Rama Rajkumar | Prakash Mali | D♭ Major | 9 | 3B | 81 BPM | ||
| Ghun Gao Sareer Tumai Aasha Mai | Soniya Studio, Ramrati kushwaha, Dileep Ahirwar, Ramrati | F Minor | 8 | 4A | 138 BPM | ||
| MERI CHOTI SI HAI NAAV TERE JADU BHARE PAAV | Bhagwat Suthar | F Major | 6 | 7B | 89 BPM | ||
| Baarah Ta Saal Maai Gaua Teri Chaariya | Sher Singh | C Major | 6 | 8B | 144 BPM | ||
| Non Stop Khatu Shyam Bhajan | Chhotu Singh Rawna | E Major | 9 | 12B | 67 BPM | ||
| Bada Hai Dayalu Bholenath | Manish Tiwari | F Minor | 7 | 4A | 149 BPM | ||
| Rang Do Keshar Ghodi Ri Jhul | Anita Jangid, Mahaveer Sankhala | G Minor | 9 | 6A | 76 BPM | ||
| Nitaai Gaur Radhe Shyam | Sadhvi Poornima Ji | D♭ Major | 6 | 3B | 122 BPM | ||
| Chalo Chaliye Bageshwar Dham | Rakesh Kamal, Sandhya Rathor | F♯ Major | 7 | 2B | 156 BPM |