"Elizabeth - Original Motion Picture Soundtrack: Aftermath" by David Hirschfelder, David Hobson Chorale, Kim Wheeler, Unknown Orchestra had its release date on September 16, 1998. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 15 in Elizabeth - Original Soundtrack by David Hirschfelder. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Elizabeth - Original Motion Picture Soundtrack: Aftermath is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Elizabeth - Original Motion Picture Soundtrack: Aftermath by David Hirschfelder, David Hobson Chorale, Kim Wheeler, Unknown Orchestra is Lento (slowly), since this song has a tempo of 55 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| One Last Look | Thomas Newman | D Minor | 0 | 7A | 49 BPM | ||
| Squirrel Rescue | Mike Higham, Matthew Margeson | F Minor | 2 | 4A | 60 BPM | ||
| The Storm | David Hirschfelder | E♭ Major | 3 | 5B | 57 BPM | ||
| The Only Way is Down | Thomas Newman | D♭ Major | 0 | 3B | 48 BPM | ||
| Freya | James Gosling | D♭ Major | 0 | 3B | 76 BPM | ||
| Maria's Sacrifice | Christian Henson | G Major | 3 | 9B | 80 BPM | ||
| Professor Alexander Hartdegen | Klaus Badelt | A Minor | 2 | 8A | 137 BPM | ||
| Preparation | The Chamber Orchestra Of London | A Minor | 3 | 8A | 80 BPM | ||
| The Beach and the Past | Stephen Warbeck | G Minor | 1 | 6A | 70 BPM | ||
| Here There Are Flowers | Lucas King | F Minor | 1 | 4A | 119 BPM | ||
| Leave the Past Behind | Bear McCreary | D Minor | 1 | 7A | 76 BPM | ||
| No Man Hires Me, No Man Fires Me | David Hirschfelder, Mark Lizotte | D♭ Major | 5 | 3B | 117 BPM | ||
| The Day After Tomorrow | Harald Kloser | C Major | 2 | 8B | 110 BPM | ||
| The Locke Lullaby | Torin Borrowdale | D♭ Major | 0 | 3B | 74 BPM | ||
| Maria's Room | Christian Henson | B Major | 2 | 1B | 122 BPM | ||
| The Nevers | Mark Isham | F Minor | 4 | 4A | 94 BPM | ||
| Love And The Hunter | The Chamber Orchestra Of London | C Major | 2 | 8B | 171 BPM | ||
| Ganga | Dhairya Tripathi | F♯ Major | 2 | 2B | 92 BPM | ||
| Constantine | Thomas Newman | C Minor | 1 | 5A | 172 BPM | ||
| Ausencias | Noches Eternas | A Minor | 8 | 8A | 128 BPM | ||
| 10,000 BC/End Credits | Harald Kloser, Thomas Wander | E Minor | 5 | 9A | 84 BPM | ||
| End Credits - From "Pride & Prejudice" Soundtrack | Dario Marianelli, Jean-Yves Thibaudet | E♭ Major | 0 | 5B | 67 BPM | ||
| Gifts From Mother | Daniel Pemberton | C Minor | 1 | 5A | 86 BPM | ||
| Trampas Permitidas | Sirenas Celestiales | F Minor | 1 | 4A | 75 BPM | ||
| King's Cross | Amelia Warner | D Minor | 3 | 7A | 109 BPM |