Ben Laine's 'Come To The Table' had a release date set for February 24, 2023. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Throne Room". In this album, this song's track order is #15. Based on our statistics, Come To The Table's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Come To The Table by Ben Laine having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| At The Very End | Seth Carpenter | G Major | 0 | 9B | 90 BPM | ||
| Stay in the Light | Ian Austin, Jon Azzarello | D♭ Major | 4 | 3B | 122 BPM | ||
| Somewhere between | Henrik | E Major | 5 | 12B | 78 BPM | ||
| Weight of Life | Callan Brown | A Major | 8 | 11B | 150 BPM | ||
| The Unknown | Northwest Stories | D Major | 4 | 10B | 118 BPM | ||
| Anyway | Ben Laine | G Major | 2 | 9B | 135 BPM | ||
| Father's Heart | Covie | D♭ Major | 4 | 3B | 155 BPM | ||
| Lay It All Down | Will Reagan, United Pursuit | E Minor | 4 | 9A | 124 BPM | ||
| Jesus Didn't Walk Away | Lily Hooten | G Major | 1 | 9B | 125 BPM | ||
| Trust in God | I AM THEY, Chase & Co. | C Major | 3 | 8B | 99 BPM | ||
| Worth Saving | Brandon Pak | B♭ Major | 3 | 6B | 112 BPM | ||
| Sleeping Through December | Luke Bower | B♭ Major | 2 | 6B | 104 BPM | ||
| Beautiful | NONAH | B♭ Major | 2 | 6B | 144 BPM | ||
| whisper and the wind | bodie | D Major | 0 | 10B | 70 BPM | ||
| Adonai | Josh Adams | E Major | 2 | 12B | 132 BPM | ||
| In the Stillness | (the autumn) | D♭ Major | 1 | 3B | 74 BPM | ||
| Shaping My Heart | The Dodds | F Major | 3 | 7B | 79 BPM | ||
| Holes in Your Hands | BEACH W | A♭ Major | 5 | 4B | 158 BPM | ||
| All That I've Been Through | Northwest Stories | D Major | 4 | 10B | 136 BPM | ||
| Every Hallelujah | Ben Laine | F Major | 7 | 7B | 160 BPM | ||
| DEMONS DIE TODAY - DEMO 2.0 | TEMITOPE | B♭ Major | 4 | 6B | 142 BPM | ||
| Goliath | Joshua Leventhal | G Major | 2 | 9B | 114 BPM | ||
| AFTERMATH (Close to the Broken) | Chase & Co. | E Major | 4 | 12B | 140 BPM | ||
| You've Given Me Joy | You Me & The Bread | D Major | 4 | 10B | 174 BPM | ||
| Lead Me to the Rock | David Baloche | G Major | 3 | 9B | 143 BPM |