"As It Should Be" by Thomas Horeczko, Stéphane Horeczko, Braths had its release date on August 29, 2025. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. As It Should Be's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 13 in Ephemeral Memory by Thomas Horeczko, Braths. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, As It Should Be is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of As It Should Be by Thomas Horeczko, Stéphane Horeczko, Braths is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ich steh an deiner Krippen hier, BWV 469 (Arr. for Violin, String Quintet & Piano by Jan-Peter Klöpfel) | Johann Sebastian Bach, Eldbjørg Hemsing, Norwegian String Quintet, Tim Allhoff | B Major | 1 | 1B | 129 BPM | ||
| Dawn (From "Pride & Prejudice" Soundtrack) | Dario Marianelli, Jeneba Kanneh-Mason | C Major | 0 | 8B | 82 BPM | ||
| Epilogue | Rachel Portman, Niklas Liepe | C Major | 2 | 8B | 97 BPM | ||
| Noctune: II. Beirut | Clemens Christian Poetzsch | B♭ Minor | 1 | 3A | 91 BPM | ||
| Winter's Void | Eydís Evensen | A Major | 4 | 11B | 120 BPM | ||
| Endless Spring | Alberto Giurioli | C Major | 1 | 8B | 128 BPM | ||
| Loango | Thomas Horeczko, Braths, Esther Abrami | D♭ Minor | 2 | 12A | 114 BPM | ||
| Between the Lines | Niklas Blumenthaler, Yanson | E♭ Major | 2 | 5B | 143 BPM | ||
| First Poem | Federico Albanese | E♭ Minor | 1 | 2A | 144 BPM | ||
| Transmission | Esther Abrami, Vienna Radio Symphony Orchestra, Irene Delgado-Jiménez | E Major | 2 | 12B | 83 BPM | ||
| Preludium c-moll | Hania Rani, Dobrawa Czocher | C Minor | 0 | 5A | 98 BPM | ||
| Bach: Prelude in C Major, BWV 846 | Johann Sebastian Bach, Lavinia Meijer | G Major | 1 | 9B | 103 BPM | ||
| In Paradisum | Gabriel Fauré, Hayato Sumino | A Minor | 0 | 8A | 98 BPM | ||
| Water Music Suite No. 1, HWV 348: IV. Air (Arr. for Harp & Accordion by Jan-Peter Klöpfel) | George Frideric Handel, Xavier De Maistre, Martynas | F Major | 2 | 7B | 155 BPM | ||
| Satie: Gymnopédie No. 1 - Olivia Belli Rework | Olivia Belli | E Minor | 1 | 9A | 66 BPM | ||
| 24 Preludes, Op. 11: No. 11 in B Major - Allegro assai | Alexander Scriabin, Jeneba Kanneh-Mason | B Major | 0 | 1B | 61 BPM | ||
| Puccini Tosca Te Deum Variation (From Tosca, H.146, Arr. for 2 Pianos by Tim Allhoff) | Giacomo Puccini, Tim Allhoff, Gabriele Bagnati, Lorenzo Bagnati | C Minor | 0 | 5A | 89 BPM | ||
| Charlotte (Renaissance Version) | Matteo Myderwyk | B♭ Minor | 3 | 3A | 143 BPM | ||
| Shelter | Brad Kella | C Major | 2 | 8B | 147 BPM | ||
| Children's Album, Book 1, Op. 62: I. A Little Song. Andantino | Aram Khachaturian, Jean-Yves Thibaudet | A♭ Major | 0 | 4B | 84 BPM | ||
| As days grows shorter | Mattia Vlad Morleo | F Minor | 2 | 4A | 154 BPM | ||
| Kaiho | A. Blomqvist | B♭ Major | 2 | 6B | 135 BPM | ||
| New Beginning (Arr. for Strings by Carlos Hof) | A. Blomqvist | B♭ Major | 2 | 6B | 135 BPM | ||
| Come In!: IV. Movement | Vladimir Martynov, Eldbjørg Hemsing, NDR Radiophilharmonie, Michael England | A Major | 2 | 11B | 63 BPM | ||
| A Daydream in Camelot | Stephan Moccio | C Minor | 1 | 5A | 142 BPM |